In case you’ve been too preoccupied with the whiplashing American news…
Formidable seismic activity began occurring on Feb 5 in Greece’s most popular tourist destination, Thira (aka Santorini) and people are being evacuated from the heavenly island in droves. Some old timers are choosing to stay, being fatalistic…perhaps they will take care of the animals left behind. All those cats! Authorities are saying there is ‘no need to worry’ about volcano eruptions. Hmm….I wonder.
Of course, seismic activity in the Greek Islands and the surrounding seasis attributed to the Titan God, Typhon, who, after a long and bloody battle, Zeus managed to seal up under Mt. Etna, a still very active volcano on the east coast of Sicily (Prototype for St. Michael and Satan). Still rattling his chains and fuming, Typhon is responsible for typhoons, tsunamis, quakes, volcanos, plagues and other such disasters. But in the mytho-alchemical sense, Typhon is like Mercury on steroids, similar to Uranus being called the ‘higher octave’ of Mercury and having the effect of creating sea changes. For example, when the Greek gods fled Typhon into Egypt, where they donned animal heads/masks for disguise, the great Pan jumped into the sea, transforming via crisis into our Capricorn sea-goat. Part 3 of this post about the TdM Devil goes into this Typhon material.
Detail in map of the Underworld, showing Typhon under the volcano.
As it turns out, there is a trans-Neptunian object (TNO) named after him, as there is for everything – a binary system (it has a Moon) – currently at 28 Scorpio. Athanasius Kircher had once associated Typhon to this sign.At the moment of the first quake, TNO Typhon was/is opposing Uranus and Moon conjunct at 23 Taurus (earth).
I have long ‘intuited’ 23 as being Uranian in nature due to the discordant vibration of this prime number that reduces to 5. Today this is actually a commonly accepted idea. Lately, with Uranus having just stationed direct at 23 degrees of Taurus (typically a sign that thrives on harmony), you must admit, there has been quite a lot of discord! We can’t but acknowledge the POTUS’ wrecking ball nature, with his North Node closely flanked by Sun and Uranus – his most elevated planet – in Gemini. (Both Muck and his outspoken 4 yr old Mini-Me also have Sun-Uranus conjunctions). The number between 45 and 47 is 46, which, divided by 2 is…23.
Barry Blitt’s ‘Anything but That’ …at 23rd St??
This isn’t to say 23/Uranian discordant energy is necessarily always bad, but it is often shocking – you don’t see it coming – and has the effect of breaking up the harmonic order it refuses to fit into.
Returning to the main theme, Typhon, I also learned that astral Typhon was discoveredFeb 5, 2002 – exactly 23 years to the day of this earthquake! (Yes, tremors started earlier, but it’s not an official quake unless it registers 5. on the Richter scale). Very mysterious, especially with Typhon’s distinctly serpentine attributes and it being a lunar EARTH SNAKE year.
Stamp featuring Zeus and Typhon duking it out
But is there a deeper meaning to all this, not just some wow-conspiracy-theory-sounding-coincidence? We have to remember that the Underworld, to the Greeks, was not yet the Hell of Christianity, although it did have a section like this for bad people and monsters, called Tartarus. Rather, Hades was an inverted, somewhat depressing mirror version of the above world of the living. Pluto is simply dark Zeus (also Dionysus, but let’s keep it simple).
Uranus, named after the sky itself, gets and sends its energy from the beyond the Saturnian sphere, ‘out of the blue’, often taking the form of inspiration (Urania) or strokes of genius. It’s fiery/airy. If Uranus is the higher octave of Mercury, then its ‘messages’ are going to come faster and more intensely. Typhon, similarly, rears up from deep below, sending shocks in the form of earth or water events, rocking our physical foundations.
Giulio Bonasone (Italian 1531-76), Jupiter, Neptune and Pluto dividing the universe. MET
When Jupiter and his two ‘brothers’ (actually all aspects of the one triplicity) cast lots and divided the realms, Neptune didn’t just get the sea, but the whole ‘middle realm’ where the other two worlds meet. We currently have the North Node conjunct Neptune in Pisces, trine Typhon/Scorpio, sextile Uranus/Taurus. Meanwhile, Pluto, Lord of Hades is in Uranus’ fixed air sign of Aquarius. We look to global events for clues to how and where the planetary aspects are manifesting. Greece is where our western ‘civilization’ began, The surrounding seas and islands are literally the realm of the old gods. Seems to me that some very shape-shifting, powerful chthonic and cosmic forces are at work or perhaps even doing battle, their combined effect being felt acutely by us middle-realm dwellers. Perhaps the frequency of 23 provides a conduit. ~rb
In the next instalment I will further explore 23 and Uranus in the charts of various air disasters.
The Devil is a conceptual chameleon that has evolved alongside us every step of the way, and on which the literature is exhaustive. This article focuses on the ‘classic’ Tarot de Marseille Devil (above), an image which alone contains enough riddles for a whole book; What’s that he standing on? Is that water in the background? Why does he take that pose? What is on his head? Why is he wearing a blue wetsuit? It turns out these are not simple questions to answer and the mystery is sure to remain after this honourable attempt to scratch the surface of his enigma. Tarot de Marseille (TdM) is unique, in that the images are not always what they seem, yet clues are often hiding in plain sight. All is speculative. Resistance is futile. So, ready to dive in?
[Please click on any images to zoom and for more info.]
Holkham Bible 14th c, Histoire de Merlin, 15th c, Cary Devil, 16th c
The last image in the row above is a fragment of the earliest (supposedly) TdM type Tarot we know of, the Cary Sheet, ca 1500s. Although the Cary is thought to be a prototype for the classic format, its Devil does not provide us with one. Rather, this ‘puppy-face’ demon is spearing souls to collect in his basket. Krampus comes to mind, but he wasn’t really incorporated into the christian tradition until much later. He may have older, pagan roots, but his back-pack for souls is based on medieval Devil imagery, not the other way around.
The first, true TdM type Devils we have examples of (Noblet and Dodal, below), are from quite a bit later, so it’s not clear whether they are the actual prototypes. Nevertheless, it’s what we’ve got. One can’t help but notice a resemblance to the Minoan double axe/butterfly goddess, with those wings. Or maybe Psyche, again eluding to ‘soul.’ Perhaps the Cary Devil’s basket was a cocoon for his next incarnation, and that of his larval captives.
Mycenaean butterfly goddess 1500 bc and Psyche from a relief 2 bcEarly TdM Devils, Jean Noblet (1650) and Jean Dodal (1701)
In the early Middle Ages, when the Devil we know was just getting his mojo on, he was depicted as a somewhat comical character – lusty, bestial, mischievous – but not yet overtly sinister. Sometimes he’s the butt, getting clobbered by the Virgin Mary. Often he mimics or tempts holy men. Similarly, in TdM he stands in a power pose, lolling, as if mimicking a deity or preacher. A relationship between the TdM Pope (5) and Devil (15) is suggested by the number they share (5), that of the bodily senses.
The image below, though 15th c, is a good example of Devil as a kind of pope’s ‘Fool’. We can still see remnants of Pan, even though he now has acquired demonic characteristics courtesy of various feminine entities; bird talons (harpies, lilitu), belly face (Baubo and/or the ‘belly-speaking’ Pythia of Delphi). Additionally, the number 15 was sacred to Ishtar, and represents the height of Lunar power (‘full’ phase), while 5 belongs to Venus (same planetary goddess).
Donkey-eared anti-pope, Master of Girart de Roussillon-ca. 1455
A closer look at the TdM Devil’s ‘antlers’ shows they do not grow from his own skull, but are stuck through/attached to the red brim, which might be the hide of some animal. Perhaps the skin of his former (Cary) self or yet another accoutrement borrowed from a pagan goddess?
Juno Sospita (‘the saviour’), Etruscan, ca 500-480 bc
Dante is accredited with ascribing Satan’s ‘bat-like’ wings, emphasizing his dragon lineage. In the Middle Ages, thanks in part to the widespread popularity of Arthurian legends, apocalyptic visions, St. George and alchemical symbolism, dragons + every other kind of monster were at large in the collective imagination. And to the western, christian mind, dragon = Devil. (Hence Dracula, ‘son of Dracul’, the Dragon). Bacchus was often depicted riding one, as a symbol of drunkenness. But ‘dragon’ comes to us from the Greek word ‘drakos’, meaning ‘eye’ or ‘I see’, pertaining to an ever-watchful guardian of some treasure or mystery.
Dante’s triadic, alchemy-faced Lucifero 1450-75, and Medieval Dragon consumptionDrunken Bacchus 14th c, François Toucarty 2 of Cups 17th c, Bacchic eyes 520-500 BC
Meanwhile, the importation of demon imagery from the Middle East is also influential, and the christian Devil, as mentioned, adopts various features from them. The TdM Devil’s stance is apparent in the two examples below, especially with Pazuzu. (It’s not known whether Tarot artists ever saw these pieces, though, and for the record, the Burney Relief wasn’t discovered until the 20th century, so that’s off the list).
Clay tablet with Ereshkigal /Ishtar c 300 bc, bronze Pazuzu Demon c 800-600 bc
Witch hunts were what really made the Devil into a force for creating suspicion and fear. As persecutors projected their own darkness and depravity onto their scapegoats, the Devil’s terrible character grew into itself. The ‘Nature’ personification (below, right), created during the time of the 16th century witch trials is clearly based on head witch, Artemis Ephesus and bears a resemblance to our TdM Devil. At opposite ends, the men of science and religion, who would divide the spoils, agreed on one thing; that nature and her beasties didn’t possess anything even close to a human ‘soul’.
And that’s because they were idiots.
Personification of the Deadly Sins (15th c) and ‘Nature’ (16th c)
END OF PART ONE
PART TWO: LORD OF GHOSTS
So far, we’ve addressed possible, historical influences for the TdM Devil’s look; the pose, mimicry, belly face, bat/moth wings and bird talons as well as his resemblance to pagan deities and Mesopotamian demons. Though not common in TdM, Tarot Devils may also sport serpents from their groin and head, similar to Gorgons or Furies. I include this fave, TdM exception (below, left) holding a delightful bouquet of pit vipers; it’s the thought that counts.
Now, let us venture deeper into the blue…
Blue Devils: Jacques Rochelais (1782), Besancon (1784), Giuseppe Mitelli (ca 1665)
Ok, I know what some of you are thinking: The Devil is not always BLUE! True, but he is blue enough of the time to warrant an investigation. Barring that colour was on sale, let’s look at some other, plausible reasons.
Giotto’s blue Satan, from The Last Judgement (detail), 1306
Giotto’s choice of colour is thought to have been based on the Etruscan ‘blue demons’ such as those in the ‘Tomb of the Blue Demons‘ (discovered in 1985, however) or the Greek Eurynomos:
Eurynomos was a flesh-devouring daimon (spirit) of the underworld who stripped the flesh from the rotting corpses of the dead. He was depicted as a man with black-blue skin seated on a vulture’s skin. Eurynomos was associated with carrion-feeders such as vultures and meat-flies. His name means “Wide-Ruling” from the Greek words eury- and nomos.
Etruscan daimon (looking rather ‘eastern’) from the Tomb of the Blue Demons, Italy
So naturally, blue palor is associated with the dead, who have ‘turned blue.’ Giotto’s Satan has simply replaced pagan Hades/Pluto. Platonists (TdM is reputed to have neo-platonic leanings) believed the physical body was as a corpse in which the soul (psyche) was imprisoned. With this philosophy in mind, the blue Devil and his willing, sacrificial victims represent attachment to the corporeal.
Two customers approach a statuary, one wishing to place the sculptor’s work [a statue of young Hermes or a Herm] in the tomb of his son, one proposing to use it for private worship. Deciding to sleep on the matter, the sculptor is visited by Hermes in a dream and is told that he has in his hands the decision to make him either a dead man or a divinity. The 2nd century physician and philosopher, Galen gave the light-hearted fable a more serious turn by applying the story to human potentiality:
“You have a choice between honouring your soul by making it like the gods and treating it contemptuously by making it like the brute beasts.”
Herm of Hermes-Mercury as dedicated portrait, ca 150-170
In other words, when we only live within the realm of the bodily senses and appetites, the soul ‘dies’. Losing our senses in any of the Devil’s vices – including magic and the occult – might run us adrift and rudderless. The water (another symbol of soul) behind the Devil is still or frozen. His podium also kind of resembles a ship’s capstan, but without the levers in place with which to haul the anchor up (or down).
capstans
Another way to turn blue, or even die, is to be in frigid water too long. The TdM Devil is usually only blue from the neck down, excluding arms and head. His cup-like hat and blue ‘antlers’ seem to echo the fishes in the Two of Cups, once bonded in sacred union, now turned away from each other. (In black magic, everything is reversed). The shape of his tripartite, blue body also suggests something fishy or amphibious, like conjoined lamprey (from Latin lampetra, ‘stone licker’) or frog legs/ears. Something is being drawn out of the murky unconscious or indeed from the two, willing minions, heads previously filled with Pope’s pape.
Cup hat and fish shapes, two of cups fish and fishy wet suit
Amphibiously speaking (ribbit ribbit), the toad is a symbol of alchemy par excellence. It is a ‘living crucible.’
Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and good in everything. I would not change it.
– Shakespeare, ‘As You Like it’
‘Lord of the Flies’
Of course Lucifer also once had a precious, emerald stone in his forehead, aka the philosopher’s stone, aka the Grail. The TdM Devils’ crossed eyes direct us to where a third one should be, but at the same time are disquieting and repel us. Do they, and his grotesque, ever-watchful, nipple eyes serve to distract from what he’s standing on and guardian of? And don’t the minions’ ropes create a perfect crucible shape? A basket’s no good for cooking souls in, this is better.
They have compared the “prima materia” to everything, to male and female, to the hermaphroditic monster, to heaven and earth, to body and spirit, chaos, microcosm, and the confused mass; it contains in itself all colors and potentially all metals; there is nothing more wonderful in the world, for it begets itself, conceives itself, and gives birth to itself.
Conver Diable and Roman crucible for metal, found in England.
The distillation stage is when all of the impurities are removed, and there is nothing left but the essence. In Chemistry, distillation involves boiling and condensation to separate components and is commonly used in desalination. A liquid is boiled until it evaporates, and as the steam condenses, the essence is liberated from the matter. It marks the point at which our essence becomes spiritualized. In others words, in spiritual alchemy, distillation is a metaphor for the actualization of one’s spirit.
Although TdM is never quite this=that, it’s worth noting distillation is the 6th stage (1+5). It seems Temperance (14) has turned Temptress and now these Dionysians are hitting the hard stuff. Because, in seeking to separate the quintessence (purest and most concentrated form or ‘spirit’ of a substance) from the dross, alchemists also created…gin! The root of ‘alcohol’ (Arabic) is ‘kohl‘, pertaining to powdered antimony, which, in alchemy, symbolizes ‘the wild spirit of man and nature.’ At this delicate stage, there are various ‘pure spirits’ that might be drawn out.
Alchemical Distillery, 1512
Here we must briefly retrograde back to Dante. His Lucifer was not shackled in flames, but perma-frozen in ice. Dante and Virgil climb up the shaggy legs, ‘until gravity is reversed and they fall through the earth into the southern hemisphere’. The omphalos has become the omicron phallus (omicron being the 15th letter of the Greek alphabet). It’s been pointed out that the Tarot Devil’s genitals are situated at the centre of the image. In keeping with this subject explored by Renaissance artists, if you draw an ‘X’ from corner to corner, the lines cross right at the ‘Centrum Mundi.’
Lucifer in Ice, Centrum Mundi, 9th ring of Hell
The gravitational reversal described sounds a lot like distillation, and what with Lucifer hermetically sealed and his 3 faces of black, red and white…
Alchemy, like witchcraft, was considered a form of ‘black magic’ and Dante even punishes alchemists – deemed ‘falsifiers’ – with leprosy. Unfortunately, ‘puffers’ (fraudsters who took peoples’ money, promising to turn lead into gold) were lumped in with true, spiritual alchemists and the sullied reputation persists to this day. Perhaps the TdM Devil stands upon the gold as both a temptation and warning to spiritual materialists who’d use Tarot for such nefarious purposes.
A ‘puffer’ from the Ship of Fools, Sebastian Brant, 1494
END OF PART TWO
Typhon, Willem Goeree, 1700
PART THREE: MYTHICAL CHAMELEON
Believe it or not, the above, most impressive depiction of Typhon and its resemblance to the TdM Devil is what ‘spawned’ this whole inquiry. In Greek myth, Typhon was the monstrous, serpentine Titan son of Gaia (Earth). When he fought against Zeus (one of many male gods who wrangle with serpent beings) for rule of the cosmos and lost, Zeus threw him down into Tartarus and plugged the hole with a mountain (Mt. Etna), so he couldn’t escape. The similarity to Satan cast down into Hell and shackled in chains or ice is obvious. Volatile Typhon rattling his chains and blowing his top caused earthquakes, volcanos, tornados (typhoons), plagues (typhoid) and other natural disasters:
In size and strength he surpassed all the offspring of Earth. As far as the thighs he was of human shape and of such prodigious bulk that he out-topped all the mountains, and his head often brushed the stars. One of his hands reached out to the west and the other to the east, and from them projected a hundred dragons’ heads. From the thighs downward he had huge coils of vipers, which when drawn out, reached to his very head and emitted a loud hissing. His body was all winged: unkempt hair streamed on the wind from his head and cheeks; and fire flashed from his eyes.
And furthermore… Typhon was a “poison-spitting viper whose “every hair belched viper-poison.” He “spat out showers of poison from his throat; the mountain torrents were swollen, as the monster showered fountains from the viperish bristles of his high head” and “the water-snakes of the monster’s viperish feet crawl into the caverns underground, spitting poison!” He also hasmany other animal heads, including leopards, lions, bulls, boars, bears, cattle, wolves, and dogs, which combine to make ‘the cries of all wild beasts together’ and a “babel of screaming sounds.”
Typhonic Devil waiting at the edge of the earth
Typhon makes medieval dragons look like newts. Again, it’s interesting to note the parallel between Hades, which later became Hell proper, and the watery abyss. Typhon’s spitting similarity to Satan did not escape medieval christian philosophers, either. They recognized him as one and the same. [The title phrase, ‘between the Devil and the deep blue sea’ means having to chose the lesser of two evils, the way Odysseus had to chose ‘between Scylla (a man-eating sea siren), and Charybdis (a deadly whirlpool)’, ie, ‘a rock and a hard place’.]
Hungry sea monsters surrounding a ship.
Typhon was conflated with Set, Egyptian god of chaos, storms and all strange and terrifying natural events from eclipses to earthquakes. Like Typhon and the Devil, Set is an elemental beast of many guises, very ancient (pre-dynastic) and attributed with major, occult powers. Sometimes he takes a recognizable form – hippo, pig, fish or crocodile – but mostly he’s the magical and alluring ‘Set animal’, with rectangular ears, downward curved snout and a stiff, straight tail. His face reminds me a bit of a duck-billed dinosaur and one theory is that he was based on an extinct creature, which is why we don’t recognize it.
Set
Typhon was said to have chased the Greek gods into Egypt, where they transformed themselves into animals. Among them, Pan jumped into the Nile, and became the half-goat/half-fish, otherwise known as Capricorn. On one hand, a neat way to explain their conflation, but on the other, it made Typhon the very agent of the gods’ transmutation, including his own. To hermetic thinkers of the 16th century, Typhon-Set seems to have been understood as a kind of extreme Mercurius.
Typhon as Scorpio, Athanasius Kircher, 1652-54
In his ‘Egyptian Zodiac’, Taurean Athanasius Kircher depicts Typhon-Set as the ‘hieroglyphic’ Scorpio, which makes sense, at least intuitively, as it’s the (sometimes serpent) sign of death and regeneration – both Osiris and Dionysus are dismembered by Set and Titans, consecutively, and are reborn with the dedicated magic of goddesses Isis and Athena. Kircher was not an alchemist by any means, but he was a master of syncretization and made an honest attempt to crack Egyptian code, long before the Dendera Zodiac and Rosetta Stone had been discovered.
On another level, ‘true’ alchemist, Michael Maier‘s allegorical Typhon-Set (below), just like the TdM Devil, is an androgyne with enlarged breasts. He/she holds the tools of dismemberment and transformation. Osiris-Dionysus is all cut up and Isis brings a cauldron/crucible and presumably her magic.
Puppy-faced, Ziphius-bellied Typhon-Set from Michael Maier’s Mythoalchemy (detail)
Three centuries before Dr. Jung, Maier (1568-1622) told of “chymical secrets behind the myths.” He said, therefore, that they should not be taken as merely historical, but as allegory or hieroglyph, “concealing some deeper meaning, philosophical or moral, which must be withheld from those persons too ignorant or too impious to use it aright” and “the truest interpretation is that it all concerns the Philosophical Medicine.” He called Typhon-Set “the burning spirit” and indeed, “the alchemical vessel itself.” Ta-da!
I did not die, and I was not alive; think for yourself, if you have any wit, what I became, deprived of life and death.
– Inferno, 34.25-7
The mosaic below depicts a scene from the Last Judgement, wherein the goats (on Christ’s left) are being separated from the sheep (on his right). The blue angel is believed to be the earliest known depiction of Satan. ~rb
All blue/bold bits herein are quotations.
Eurynomos quote from Theoi.com Distillation and Inferno quote from thecollector.com All other quotes from Wikipedia (some edited for length) Quotation pages and any other pages of interest are linked within the article. More information on images/sources can be found in their descriptions by clicking on them.
There is a curious detail in the Marseille Emperor’s throne, which always reminded me of a goofy-looking bird, a bit like the Roadrunner cartoon. Merely an accident of design…or is it? Jodo refers only to the eye-like, circular shape, as symbolic of ‘alchemical gold.’ He and Camoin also insist there was an egg (under eagle’s tail) in the Conver card, which they ‘restored,’ a topic of much debate in Tarot circles.
detail in 3 versions of the Conver Emperor
Details in Tarot imagery are known to get muddled or omitted, so it’s necessary to look at as many variations as possible, to try and put a picture together. Often it’s nothing, sometimes it’s something. In this case, it was the latter.
In the two versions below, you’d be forgiven for thinking the bird head on the back of the Emperor’s throne was just another eagle, being the imperial bird (and in the first card, it appears to be), except for a couple of other clues; in the 2nd card, the arm of the throne is clearly ‘feathered’ like a rooster’s tail. Also there is the fact that the brim of the Emperor’s helmet-crown is almost without exception consistent in its red colouring.
18th c Emperors (Solothurn and Benois)
We could also make the connection to the alchemical basilisk, which symbolized the destructive fire preceding the transmutation of metals, as well as having the ability to kill with a glance, like Medusa (hence situated behind the Emperor, his shadow nature or hidden super-power). And, of course, the presence of Mercurius, the transmuter.
Basilisk in 12th c archway
Now, the next question is, why? Why, when chickens are a medieval symbol of cowardice and avarice, and when the rooster in particular belongs to Mercury or Mars, would anyone associate the noble Emperor with poultry? Isn’t the Emperor an avatar of Jupiter??
Actually, Emperors and Gallus gallus go a long way back. No ancient Roman Emperor was without an assembly of sacred fowl. You see, in olden days, chickens were not bred for frying, but for fighting and alectryomancy, a form of augury. Chickens were used to predict the outcome of battles and, yup, who the next Emperor would be. We can see the military aspect of our Tarot Emperor, though he be seated in repose.
Etruscan buccher 630-20 BC and German Rooster helmet c 1530 (MET Museum, NY)
Alright, so what does the regal rooster have to do with de Zeus, if anything?
This is where it gets a bit esoteric, because TdM imagery is never this = that. We can find associations in the Emperor card to Jupiter (imperial eagle on his shield, sometimes a thunderbolt in his sceptre, bearded), Mars and Mercury (rooster, as mentioned), as well as the Sun (rooster, medieval 4th sphere, wears a radiate crown over his helmet), but what about Pluto? Pluto/Hades was, after all, an aspect of the Jupiterian triplicity, one of the ‘bros’.
While the other, major Greco-Roman gods were always busy doing – Mars at battle or cavorting with Venus, Mercury flying all over the place, Jupiter running Olympus between mythic, erm, conquests – it seems Pluto’s one, big event was the ‘abduction’ of his young bride, Persephone/Proserpine. After that, the god of subterranean riches pretty much just sits there on his Underworld throne or lies in repose at banquets for the newly-dead, right?
engraving by Wenzel Holler (detail) 1600, Francesco Berti Bologna Emperor 17th c
This is likely due to the abduction myth being a relatively late injection; Persephone had long presided in the underworld as part of a Goddess triplicity (with Demeter and Hekate), before the patriarchal gods usurped:
“There is an archaic role for Persephone as the dread queen of the Underworld, whose very name it was forbidden to speak. In the Odyssey, commonly dated circa 800 to 600 BCE, when Odysseus goes to the Underworld, he refers to her as the Iron Queen. Her central myth, for all its emotional familiarity, was also the tacit context of the secret initiatory mystery rites of regeneration at Eleusis, which promised immortality to their awe-struck participants—an immortality in her world beneath the soil, feasting with the heroes who dined beneath her dread gaze.”
Note the ‘dread gaze’ reference, again.
Persephone and Hades/Pluto Enthroned, 500-450 BC, Greek (Cleveland Museum of Art)
As it turns out, Hades/Pluto and Dionysus may have been one and the same (or syncretized). In this beautiful relief, we see that the cock and hen are familiars of Persephone and her consort, representing Springtime regeneration (and eggs!), when she emerges from the Earth to make it fecund, again. The ear of grain/wheat is another of her attributes (indeed she was the grain itself), and we see that the TdM Emperor wears a necklace (circle) of golden grain, just like Pluto/Dionysus wears on his head.
Going back to the subject of my previous post, every 4th card is also the 1st card of the next cycle of 3, the Empress being the first 3. Like Persephone, she embodies the cyclic, creative triplicity. The Emperor, in 4th place, represents the ‘death’ of the first cycle as well as the beginning of the next. Similarly, Winter is the 4th season, when the forces of life go underground.
Conver Empress and Emperor (BnF)
The aging Emperor is typically shown in profile, facing the Empress/past and with his back to the next cards/future (if they were laid out in numerical order). He will not go further in his current form, but holding his sceptre erect, looks to his lady for renewal, while she, in turn, holds her sceptre to her womb.
Addendum: Hermes-Mercury’s travels famously included being a psychopomp, being the only god who had licence to travel back and forth between realms. So don’t worry, this is not to discount the rooster/chicken as possible presence of Mercury, significator of transition, alchemical, numerical or otherwise. Rather it is to draw attention to the Plutonian nature of the Emperor. Hermes-Mercury is present in every Major Arcana card of the TdM (more on that some other post). Interestingly, modern ‘evolutionary’ astrology sees planetary Pluto as having to do with both death and transformation. ~rb
Concept for Disney’s Snow White by Gustaf Tenggren – alchemy much?
With chthonic ‘dwarf planet’ Pluto at 29 Capricorn and opposite Black Moon Lilith at 29 Cancer, I was reminded of the ‘alchemist mining the earth’. In fact , this theme, I *believe* was central to Snow White and the Seven Dwarfs. ‘Hair black as ebony, skin as white as snow, lips red as blood’ happen to be the three ‘distinct’ phases of the Magnum Opus; nigredo, albedo, rubedo (sometimes there was a 4th, citrinitas, between the albedo and rubedo). These were also enumerated to seven stages, corresponding with the seven planetary spheres…or dwarfs. Not to mention that glass ‘coffin’.
Here is the clip I was rereading from my files, and apologies, I don’t remember where I originally clipped it from, but it is a quote (must be old, as it uses ‘man’, maybe from Jung?):
“The alchemist mining the earth. Mining or going inside the earth is the first step in the alchemical process. The earth is the body or oneself. Going inside the earth is equal to going into your inner self. Thus we are invited to descend into the earth, into the underworld, or the unconscious. The earth is the symbol of physical man. Man needs to become conscious of his inner world, who he is, what he is doing, what his motives are, and so on. Once attention is directed inwards, a whole new world opens: the underworld of Hades, the dark realm of shadows and monsters.“
And this is from another source, regarding the black phase or ‘nigredo’:
“Here, we are being asked to let go of all within us and outside of us that is false, inauthentic, and not in full alignment with the truth of who we are. This is a truth as it exists on a soul level, far beyond the ego and its limited ideas or illusions about who we “should” be.”
Is it possible that we’re now collectively getting ready to ‘birth’ out of the ‘nigredo’ stage? We began descent into fermentation blackness when Pluto entered Capricorn (feminine earth sign) back in 2008. About a year and a half prior, Pluto had been “demoted” to ‘dwarf planet’ by a handful of young astronomers who thought they were clever by disempowering the planet-god. Clearly, Pluto was in fact operating through them from that unconscious, Hadean realm over which he presides. [Side note: I bet Pluto will take its former status back once it is securely in Aquarius.] As it is, too, with Black Moon Lilith, who loves the freedom of darkness and invisibility of night. In Cancer, the sign of the Moon and mother, she represents the ‘uterine’ blackness itself, the void people desperately try to to a-void but that must be traversed. Our fear of death likely has much to do with our memories of that messy and shocking business of rebirth.
When Ishtar descended into the underworld, she had to leave a veil or some such trapping at each of the seven gates she went through (i.e, stages/planetary spheres). Even then, she had the hubris to want to sit on her sister Ereshkigal’s throne, and for this, she was hung up on a meat hook until she learned her lesson. We can also think of the Hanged Man in Tarot, Odin, and the Freemasons’ weird hanging upside down ritual, meant to instill that same sense of emptying out the false self so as to receive true knowledge that is the ultimate unification of self with world knowledge. The mystery ‘cults’ of Ancient Greece and Rome likely had similar purpose (though originally based on fertility/seasons).
These types of healing and initiation rituals are as old as we are, and are related to vision quests. I am sure paleolithic humans/shamans weren’t so much concerned with ‘self and non-self’ but nevertheless, soul-loss or theft was considered a cause of sickness and their work involved traversing into other realms, perhaps through a pitch black, uterine cave passage, to set things right or be instructed by other beings, ancestors, animal spirits, etc. We exist in more than just this one, as we know simply from dreaming.
Dali Tarot Hanged Man
What happens much of the time is, people start going through this ‘inward’ process unconsciously and are either unaware or resistant. All one knows is the depression, self-loathing or other emotional unpleasantness that arises. This is a calling from deep in the soul, but thinking that it is abnormal and needs to be ‘cured’, one fights it, is taken over by substances used to quell it, or fears losing control, which is akin to death. Because how can one function in this world, with all its glaring eyes, while descending into another? But there is no choice. If we ignore this call, Pluto will then bring about an outer event that will force us inward. That is what has been happening, collectively. The three outer planets are ‘the three alchemists’; Uranus shocks, burns and blows up, Neptune dissolves and dissipates, and Pluto pressure-cooks us into change that is permanent. Their transits are long, affecting entire generations.
Artists, poets and musicians of each generation are modern shaman-alchemists of sorts, who traverse the deepest chasms to bring back healing for the rest of society (you’re welcome). But it’s not exclusive, by any means.
Pluto will be leaving earth and entering air starting March 23 (with two retrogrades back to Cap), followed by Uranus leaving earth and entering air and Neptune leaving water and entering fire, both in 2025. Use the next couple of years, with Saturn in Pisces and the alchemists still submerged or partly submerged, to do your spelunking. If you are hearing the soul’s call, don’t be afraid to descend, to enter the labyrinth (you can leave a golden thread to guide you back out). Perhaps you are already in one of the stages or nearing completion, as many of my Saturn Pisces brethren must be.
Point is, you are full of hidden mysteries and treasures to be mined!
Another important theme of Jupiter in Pisces is keeping faith as we navigate waters that are not always perfectly clear. Jupiter has everything to do with faith, but we should also remember that he is the greater prophet as well as a triad (with his other expressions being ‘brothers,’ Neptune and Pluto). Zeus-Jupiter’s psychopomp/messenger son Hermes-Mercury is really just a chip off the old block. Indeed, Jupiter is often overlooked as having anything to do with death in a chart, but will often indicate whether a person had a ‘good’ death, in the spiritual sense.
Again, this quote:
For the supreme maker first creates things, then seizes upon them and thirdly perfects them… …Thus they first flow from that perennial fountain as they are born, then they flow back to it as they seek to revert to their origin, and finally they are perfected after they have returned to their beginning. This was divined by Orpheus when he called Jupiter the beginning, the middle and the end of the universe…
~ from Pagan Mysteries in the Renaissance, by Edgar Wind
As if to reiterate, the Cerberus, who guards the gates of Hades, has three dog heads, said to represent past, present and future (from an excellent blog, linked below):
One head of the dog represents the past, one the present, and the third is the future. Cerberus characterizes all of the negative aspects of each of these time frames. He aims to freeze forward movement and lock us into negative, repetitive patterns. Obsessing about the past, overwhelm in the present, and fear of the future are his methods.
We all have a three-headed dog in the dark regions of our psyche. If we are to live the life we envision, and not the one we fear, we must overcome Cerberus. The past, present and future can be sources of comfort, inspiration and encouragement. Or, they can be a nightmare. The choice is ours to make.
It’s worth mentioning that Scylla, the legendary sea-monster of Greek mythology (ie, yet another demonized Goddess) that haunted the rocks of a narrow straight, opposite the whirlpool Charybdis, also had dog extensions growing from her flanks. This is likely the origin of the expression, ‘caught between a rock and a hard place.’ When we can see no way through a situation and must ultimately turn to faith, have patience and wait for an answer to our request from the universe for help or guidance.
Sunk waist-deep in the cave’s recesses, she still darts out her head from that frightening hollow, and there, groping greedily round the rock, she fishes for dolphins (delphines) and for sharks (kynes) and whatever beast (ketos) more huge than these she can seize upon from all the thousands that have their pasture from loud-moaning Amphitrite. No seaman ever, in any vessel, has boasted of sailing that way unharmed, for with every single head of hers she snatches and carries off a man from the dark-prowed ship. You will see that the other cliff lies lower, no more than an arrow’s flight away. On this there grows a great leafy fig-tree; under it, awesome Kharybdis (Charybdis) sucks the dark water down . . . No, keep closer to Skylla’s cliff, and row past that as quickly as may be; far better to lose six men and keep your ship than to lose your men one and all.’ So she spoke, and I answered her: ‘Yes, goddess, but tell me truly–could I somehow escape this dire Kharybdis and yet make a stand against the other when she sought to make my men her prey?’ So I spoke, and at once the queenly goddess answered : ‘Self-willed man , is your mind then set on further perils, fresh feats of war? Will you not bow to the deathless gods themselves?
People often come for readings because of fear and want to believe they have some control over the future by finding out what it might be. This is not really possible – at least not without a grasp on the past and more importantly, the present. For like Jupiter and his brothers, or the heads of Cerberus, the three are all one being. And would it actually even help to see into the future? This is also why Jupiter, ruler of Sagittarius, is the god of speculation and gambling.
Yesterday, on my low tide beach walk, I came upon a small, dead fish. I noticed the water was very murky. Perhaps it had lost it’s way or its gills became clogged. More likely it was a bait fish that didn’t get eaten. Each day, the tides bring in something different; reams of ivy cuttings, a dead sea lion, limes, agates, plant bulbs, bits of china and glass, fossil wood, a yacht, rose petals, star fish, bones…manifestations of the cluttered 12th house. From whence did these things come? How did they end up here? And where do they go when they disappear again? Life on earth came from this body of salt water and it’s all still a great mystery to us. This is why Jupiter, traditional ruler of Pisces is the god of religion and spiritual matters.
At this moment, the Moon is at 0 Virgo, directly opposite Jupiter. Virgo is one of Mercury’s houses, and has a tendency toward sorting practical details and analyzing. Mercury is in Gemini, his other house, and is ‘slowing down’ in preparation for retrograde, beginning on the 29th. Though we will try, we will be unable to see what’s ahead during this time and must now let Jupiter faith and trust in the greater mystery to guide us. Pay attention to dreams, serendipity and omens (such as finding a dead fish).
Remember that symbolic phenomena doesn’t necessary ‘mean’ anything other than what it IS in its mysterious power. Our Virgo/Mercurial analyzer wants to know what it literally means, so we heed the warnings of priests, superstitions and dream analysis books, not to mention astrologers, rather than just trusting what we felt and that we can’t ultimately know the reason. (However, an astrologer, like the meteorologist, can tell you what conditions will be like, so that you can better prepare).
As an example, once, when I was not well and had very little ‘qi’, a friend was driving me to a doctor’s appointment, when a crow, scuffling with another crow, hit the window on my side, like a bolt. It gave me a great shock, as you can imagine. The next day, another bird hit my studio window, which rarely happens, especially not right after another such incident! I could have groped in the dark for meaning and seen this as a ‘bad omen’ (certainly not good for the birds), but instead took it for what it was…life energy literally being hurled at me in physical form. I thanked the bird messengers for their vehicular sacrifice. Similarly, when things happen or don’t happen due to timing, which is so often the case during Mercury Rx, we get upset and ‘blame the messenger’, when maybe it was a blessing in disguise.
Perhaps you’ve heard this fable?
There is a Taoist story of an old farmer who had worked his crops for many years. One day his horse ran away. Upon hearing the news, his neighbors came to visit. “Such bad luck,” they said sympathetically.
“Maybe,” the farmer replied.
The next morning the horse returned, bringing with it three other wild horses. “How wonderful,” the neighbors exclaimed.
“Maybe,” replied the old man.
The following day, his son tried to ride one of the untamed horses, was thrown, and broke his leg. The neighbors again came to offer their sympathy on his misfortune. “Maybe,” answered the farmer.
The day after, military officials came to the village to draft young men into the army. Seeing that the son’s leg was broken, they passed him by. The neighbors congratulated the farmer on how well things had turned out. “Maybe,” said the farmer.
