Astrology Archives - ROXANNA BIKADOROFF

February 22, 2025April 12, 2025

Divine Measure – Traversing the Star Card of Ancient Tarot

In Greek mythology, while transformation into a rock is usually a barren fate, a pattern emerges in which the heroines who were transformed into islands are lovers of the gods; just as islands, like cities, were usually personified as minor goddesses or heroes. [Wikipedia]

This is precisely what happened to Asteria, Titan Goddess of falling stars, oneiromancy (divination by dreams) and astrology (by stars), and mother of Hecate. She transforms herself into the Island of Delos, where her sister Leto at last gave birth to the lunar Artemis and solar Apollo, after an exhaustive search for refuge. The usual suspects were to blame; Zeus for making Leto pregnant, then pursuing Asteria, and jealous Hera’s subsequent curse, that Leto not be able to find solid ground on which to give birth, forbidding all places on earth to accept her. Hera also kidnapped the goddess of childbirth to ensure that Leto’s labour would be ultra painful. Asteria (‘star’) defied Hera’s orders, but as she had not succumb to Zeus’ advances, Hera, though angry, did not punish her.

Artemis was an easy delivery, but Apollo took 9 days and nights to come out (luckily, Artemis was able to assist). There are a few variations on the myth, as is typical. Delos means ‘to manifest or reveal’. It had been a floating island, ’emerged’ for Leto by helpful Zeus (the least he could do since he can’t seem to keep his Tower in his robe). Either it was uninhabited or it was and the people didn’t want her giving birth there, so Leto gifted the island with 4 anchors to keep it stable, which pleased them. Are these ‘anchors’ the 4 Royal Stars (Aldebaran, Regulus, Antares, Fomalhaut)?

“Hail. O heaven-built isle [Delos], most lovely scion of the children of bright-haired Leto, O daughter of the sea, thou unmoved marvel of the spacious earth, by mortal men called Delos, but by the blessed gods of Olympos (Olympus) known as the far-seen star (astra) of the dark-blue earth . . . For aforetime, that isle was tossed on the waves by all manner of whirling winds; but, when Leto, the daughter of Koios (Coeus), in the frenzy of her imminent pangs of travail, set foot on her, then it was that four lofty pillars rose from the roots of earth, and on their capitals held up the rock with their adamantine bases. There it was that she gave birth to, and beheld, her blessed offspring.” ~ Pindar, Processional Song on Delos (Greek lyric ca 5th B.C.) [Theoi.com]

Both Delos and Delphi, site of Apollo’s famous oracle and omphalos (navel), share the root word ‘del’ with ‘delphini,’ which means dolphin in Greek. Dolphins are sacred to Apollo, Dionysus and Poseidon. The Cary sheet hints at location with a fish-tail shape in the shoreline. Dolphins were considered by mariners to be a very good omen indeed, guiding and protective. They are also known to protect whales giving birth. So saviour-like are dolphins, that in the 14th century, French heirs began calling themselves ‘dauphin.’ It is beyond shameful and utterly reprehensible how modern humans have abused these sacred beings (the marine mammals, not the French kings).

Louise of Savoy instructing her son, Dauphin Francis I, ca 1505

Apollo wore his golden hair long and his sacred number is 7, associated with the traditional planets, stringed lyre and the Pleaides (starry rain-makers).
The cards do not give us absolutes, but evoke in a mnemonic, riddling fashion, so don’t be too confused by the lack of breasts on the Cary water-bearer.

After her transformation into Delos, several stars, deeply moved by her tale, aligned themselves in her honor. This formation, known as an asterism, served as a protective shield and a tribute to the goddess. For sailors navigating the vast seas and stargazers looking up in wonder, this celestial pattern became a symbol of Asteria’s indomitable spirit. [Olympioi.com]

It’s obvious that the birthing waters have broken, which explains why the card is somewhat incorrectly interpreted as illustrating the zodiac sign of Aquarius. Aquarius signifies a similar idea (and the constellation once included the Southern Fish, with Royal Star Fomalhaut in its mouth) – albeit in the dead of Winter we are talking more about inward, spiritual rebirth, ultimately necessary for a more evolved, physical return (Saturn).
The androgynous figure pours one jug onto the earth and one into the water, as she will do in the classic Tarot de Marseille card. We get the sense of purification by libation – libation of feminine fluids – as well as the cyclical nature of water, aka life, connecting with her arms in a continuum. In alchemy the liquid purification of spirit is considered Lunar and feminine, inner.

Now it’s also possible that her two pitchers contain waters of Mnemosyne and Lethe – some Orphic lamellae (gold tablets) instruct the deceased to only drink from Mnemosyne’s streams, not Lethe’s, in order to avoid another, terrestrial birth or an eternity in gloomy Hades:

“You will find a spring on the left of the halls of Hades, and beside it a white cypress growing. Do not even go near this spring. And you will find another, from the Lake of Memory, flowing forth with cold water. In front of it are guards. You must say, ‘I am the child of Ge and starry Ouranos; this you yourselves also know. I am dry with thirst and am perishing. Come, give me at once cold water flowing forth from the Lake of Memory.’ And they themselves will give you to drink from the divine spring, and then thereafter you will reign with the other heroes.” ~ from Petelia, 4-3 BC

Other sources seem to indicate we’re to drink a bit of each. Hmm.

Chosson TdM, 1736, feat. one of many misspellings

The little black bird, which could represent the soul or ‘Ba bird‘, in the background is also a mytho-alchemical clue, for the crow in alchemy is symbolic of Saturn and the blackening (the first stage of the work, now fading in the distance, but not entirely forgotten).
In another, Apollo myth, he sends his originally white bird to keep watch (spy) on his lover, Coronis (‘crow’). Unfortunately for everyone involved, the bird reports she’s been cheating with a mortal. Seething, Apollo scorches the messenger for his efforts, then shoots his woman down. Naturally, he regrets it, tries to revive her, but it’s too late, because Greek tragedy. In the opener image kylix detail, we see the blackened crow or raven as Apollo’s bird of prophecy. Are bird and lover one and the same? Only the shadow knows.

Apollo kills Coronis, 1590 engraving by Hendrick Goltzius

During the alchemical opus, there is something called the ‘impregnation stage’ wherein:

The star rises to the surface and thus connects both the upper spiritual part of the vessel and the lower substance. The bird flies upwards, the soul of the process also seeks union with the spirit. The Impregnation is the turning point of this phase, and indeed it marks the point in the whole process where we are no longer dealing with mere material substances, but the seed of the spiritualization of substance has here been sown, and from now on we will see, through the many following stages, just how this seed grows, metamorphoses, and develops. ~ Adam McLean, The Alchemy Website

The blackening of Apollo’s bird and the rising of the 7-pointed star

It’s been pointed out that in the Cary, there is an emphasis on 4 stars surrounding the main one, creating a starry quintessence, but problematic is the 5th ‘extra’ star in the figure’s right shoulder. In keeping with with the theme, however, this evokes the constellation of Orion, aka Osiris, with red star Betelgeuse placed thusly. Osiris was the god of death and regeneration par excellence, whose reappearance signified the annual rising of the Nile and the land becoming fertile again with birthing waters. (Hapi, who was male but had breasts, was the god of the actual flooding of the Nile, that became Aquarius).
Interestingly, one of the reasons Pythagoreans were superstitious about the number 17 was that Osiris was killed on the 17th day of the month of Athyr.

Eridanus, the cosmic River of Night, has a bright, fixed star at either end; in the north, Rigel, situated in the foot of Orion/Osiris, and in the south, Achernar, the ‘end of the river.’ The god-king has one foot in the water at the serpentine river’s mouth, as if being born out of it. (Article with more on this here).

If we count the number of little plants sprouting from the earth in the Cary card, they equal the number of small stars. As above, so below. Inner quintessence = outer/cosmic. This unification can only happen after the Tower – the structures we build around our minds from the outer, ego, etc – has been transformed. The star not only depicts ‘outer space’ but ‘inner space.’

Marriage stela of Tjanetiset feat. red and white Nut, ca. 825–712 BC (MET)

The ancient Egyptians saw earth as the mirror of the heavens. The sky goddess Nut is depicted, like Hapi of the Nile, holding two jugs that flow with the waters of creation/fertility.

Nut was the goddess of the sky and all heavenly bodies, a symbol of protecting the dead when they enter the afterlife. According to the Egyptians, during the day, the Egyptian decans would make their way across her body. Then, at dusk, they would be swallowed, pass through her belly during the night, and be reborn at dawn. She was often painted on the inside lid of the sarcophagus, protecting the deceased. The vaults of tombs were often painted dark blue with many stars as a representation of Nut. [Wikipedia]

Rosenwald sheet 15th c (National Gallery of Art)

In astrology the ‘big three’ of a natal (birth) chart are our Sun, Moon and Ascendant. The Sun indicates the time of year we’re born, energizing the present lifetime and our natural, outward expression of what we aspire to be this time around. The Moon shows time of the month (phase, day) and is indicative of the past and of our inner or nighttime realms – memory, dreams, soul lineage – what we bring with us, unconsciously. The Ascendant completes the picture with our precise moment of arrival/first breath. There is something very fated and acutely personal about this moment.

To the ancients, it was not so much the moment itself or even the rising sign, necessarily, but the star heralding or accompanying the Sun, as it rose on the day of birth (they didn’t have clocks) that was of prime importance. Stars on any angle or conjunct a luminary or planet are also significant, coming into play at different times during the course of a life. We could muse that this first star on the horizon is our navigational star, guiding us back to the ‘berth’.

Compass rose, France 1543 and sounding lead (for measuring depths), Marseille, 1st c

The TdM Star card is also interpreted as Venus, since she is symbolized with 8 points, but of course she can also have 5 (evening and morning star symbols). In the Tarocchi of ‘Mantegna’ print below, we find Venus in her river toilette (note the anagram, there), with her entourage of Eros and the Graces, looking suspiciously like the Star card figure. Meanwhile, in the unique, Leber-Rouen card, a witchy ‘Stella Maris’ looks like the wild twin of Botticelli’s serene goddess. (Might the cross/ankh around her neck have been an add-on?).

‘Mantegna’ Venus and Leber-Roen Venusian, mid 15th c

Lodovico Lazzarelli, in his De Gentilium Deorum Imaginibus (trans. William O’Neal) described the first one:

Nude Venus swims forth from the midst of the natal wave of the sea, and the fair one holds a sea-shell in her right hand. For she divests lovers from extraordinary cares and affairs. Nude Venus calls nude bodies to herself Indeed the sea shell engages itself in sexual union within its own body. Passionate love is ship-wrecked by a sea of troubles.

The victor stands with his quiver of arrows, and he is swift on his wings. The nude boy Cupid stands with eyes covered. At one time he hurls down golden arrowheads from his bow and at another time lead ones, and each strikes the hearts of men with a different wound. The lead-tipped arrows drive love away but the golden-tipped bring it about. As hatred is strong so also love is dear. The nude boy loves the defenseless. Love with eyes covered does not know at whom he aims. He drags his prisoners through hard places. And those ignorant of every road wander off through lonely places The boy calls young men to his camp. Love marks out their unstable souls for his swift wings. He causes wounds hastened along by his quivers.

The Idalian nymphs, the fair and pleasing crowd of three, stand together with their bodies unclothed. They hold their arms together bound by interchanging bonds as often interchanging Love ties the bonds. The first holds the light of her countenance and her eyes toward us. The rest of her group sees us in her gentle eyes. First, Pasithea enraptures us in her gentle fires. Aglaia revives those taken in with her flattery. Euphrosyne entangles them in fetters and strong chains, and she does not permit her captives to go back. Then, Venus, pitying those mangled in such sorrows encourages them with her sweet enticements and flattery. Poets have treated these many things from the star of Venus which lovingly presides over the triple place of heaven. This constellation stands in the highest part of heaven with a triple name. Of course, it has always been said to be Venus.

Sounds a bit like alchemy-speak, no? Lead and gold-tipped arrows? I’m still pondering the arrangement of her four doves. Anyone?

In the Leber-Rouen card, our Stella Maris is of course Venus-Fortuna, for she holds in one hand a large arrow-cum-spindle, its quiver wound (with hair?). In the other, she grasps a lock of her windswept tresses. It bears a similarity to Lazzarelli’s description – she lures or navigates ships through shifting weather in the same, fated manner as Cupid sends forth his arrows.

Dame Fortune wielding a large arrow, French, 1403

Sailors were a superstitious lot. They believed women, being ‘wetter’ (ie, more lunar) than men had a special power over the sea. Medical writers like Pliny the Elder, in his Natural History (77 AD) declared, “For, in the first place, hailstorms, they say, whirlwinds, and lightening even, will be scared away by a woman uncovering her body while her monthly courses are upon her. The same, too, with all kinds of tempestuous weather; and out at sea, a storm may be lulled by a woman uncovering her body.”
Hence ancient goddesses, Isis in particular, but also the Stella Maris (‘Star of the Sea’, which could be Venus or any navigational star) became protector of ships at sea, and female figureheads were often bare-breasted.

Now, obviously I’ve focused only on the more cryptic Star cards, as mystery is what I find interesting, but there are just a few more worth an honourable mention, before wrapping up this essay. Their imagery, at first, may not seem to relate to our running theme, but let’s take a closer look…

Tarot of Paris early 1600s, Jacques Vieville 1650, ‘Mantegna Tarocchi’ Geometria 1460s

The third image is not a Star card but depicts one of the Liberal Arts inspiring these learned men: Geometry (‘to measure the earth’). Of all the Liberal Arts personified in the ‘Mantegna’, she is the only one floating in the sky above.
In the first card, the man sits at a drafting or reading table with books on it and holds the compass to his head, in thought. It’s hard to say whether he’s aware of the Star or whether it’s symbolic only, but divine, mathematical inspiration is being transmitted. I like to think of him as either an astrologer or an explorer creating maps.

In the second card, the central Star and four little stars form a ‘quintessential’ arrangement. An astronomer/astrologer or mason (or alchemist) sits in contemplation or meditation before a cathedral-like building that has a clock or rose window in its bell tower. The division of the cosmos has now become a precision science, thanks to the sacred gadget. He appears to be measuring the heavens, but as in the Paris card, the compass almost seems to be a conduit and, held this way, it resembles the numeral V (5). The ground has a checkered pattern typical of masonry tiles and alchemists’ labs, but also resembling meridian lines of the earthly plain. Vieville or whoever created the the images for this deck was likely of the Rosicrucian Brotherhood. It’s just barely possible find a rose hidden under that red circle behind the figure’s head.

Like the Cary, in Vieville we find a 5th small star, this time in the clock/window face, connecting the above and the below. The Vieville Star card with its theme of enlightenment is in contrast to his Moon card, wherein an old woman sits spinning yard (and fate) under a tree, in the realm of night.

The compass (actually called a divider) was specifically created in order to measure the heavens (hence time), while the much older square was used for earthly structures. These were the two essential tools of the stone masons and still form the well-known, Freemason logo. Because it allowed for the concept of eternity/divinity (the monad) to be perfectly drawn, the compass became a symbol of man’s spirituality and higher nature.

“It is said that the compasses’ two points represent spirit and matter, life and form; from these all the complexities of the fleeting, ever-changing mantle of the one-life are produced within the circle, self-imposed by the Being who has decreed the bounds of His Universe or His System.” ~ Harold Bayley, The Lost Language of Symbolism

Thus in these two variations, another aspect of the Star is emphasized: human intellect (Mercury/Aquarius) or indeed wisdom as the vehicle for uniting Heaven and Earth.

God/Christ the Geometer creating the world soul, 13th c

The sacred tool bears a notable resemblance to a stork or crane, birds associated with birth/immortality (like crow and raven, they are interchangeable, symbolically). We all know the greeting card baby delivery propaganda, but it was once the belief in Ancient Greece that they actually stole infants, like Harpies. [Fun fact: vultures evolved from storks.] Hera’s wrath again – this time at some haughty Pygmy queen who’d just given birth to a son:

The other Pygmies brought many gifts for the newborn infant, but Hera, enraged that Gerana would not worship her, elongated her neck and turned her into a crane. Wishing to keep close to her child, Gerana as a crane would fly from roof to roof, but the people armed themselves and chased her away, and thus arose the rivalry between the Pygmies and cranes. [Wikipedia]

Nevertheless, the nesting of cranes/storks on one’s rooftop is generally considered auspicious. People sometimes placed old cartwheels on the roof, to help initiate nesting. (Interesting we have named the mechanical monsters of construction after them, due to the resemblance).
Indeed, if we zoom in on the ‘Mantegna’ Geometria print, we find one of these very birds hunting in the river below….and it has caught a snake!

Master of the e-series, Ferrara, 1460s (MET)

From compass to compass, star to star, this concludes our sojourn of the 17th Triumph. Thank you for reading. To explore more articles on the Tarot de Marseille, simply type ‘TdM’ into the search, or scroll the Home page, where I list recent articles. ~rb

Related, excellent talk, if you wish to go deeper:
How the Alchemists Meditated by alchemist Dennis William Hauck

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February 14, 2025February 18, 2025

Typhon Awakes!

In case you’ve been too preoccupied with the whiplashing American news…

Formidable seismic activity began occurring on Feb 5 in Greece’s most popular tourist destination, Thira (aka Santorini) and people are being evacuated from the heavenly island in droves. Some old timers are choosing to stay, being fatalistic…perhaps they will take care of the animals left behind. All those cats! Authorities are saying there is ‘no need to worry’ about volcano eruptions. Hmm….I wonder.

Of course, seismic activity in the Greek Islands and the surrounding seas is attributed to the Titan God, Typhon, who, after a long and bloody battle, Zeus managed to seal up under Mt. Etna, a still very active volcano on the east coast of Sicily (Prototype for St. Michael and Satan). Still rattling his chains and fuming, Typhon is responsible for typhoons, tsunamis, quakes, volcanos, plagues and other such disasters. But in the mytho-alchemical sense, Typhon is like Mercury on steroids, similar to Uranus being called the ‘higher octave’ of Mercury and having the effect of creating sea changes. For example, when the Greek gods fled Typhon into Egypt, where they donned animal heads/masks for disguise, the great Pan jumped into the sea, transforming via crisis into our Capricorn sea-goat.
Part 3 of this post about the TdM Devil goes into this Typhon material.

Detail in map of the Underworld, showing Typhon under the volcano.

As it turns out, there is a trans-Neptunian object (TNO) named after him, as there is for everything – a binary system (it has a Moon) – currently at 28 Scorpio. Athanasius Kircher had once associated Typhon to this sign. At the moment of the first quake, TNO Typhon was/is opposing Uranus and Moon conjunct at 23 Taurus (earth).

I have long ‘intuited’ 23 as being Uranian in nature due to the discordant vibration of this prime number that reduces to 5. Today this is actually a commonly accepted idea. Lately, with Uranus having just stationed direct at 23 degrees of Taurus (typically a sign that thrives on harmony), you must admit, there has been quite a lot of discord! We can’t but acknowledge the POTUS’ wrecking ball nature, with his North Node closely flanked by Sun and Uranus – his most elevated planet – in Gemini. (Both Muck and his outspoken 4 yr old Mini-Me also have Sun-Uranus conjunctions). The number between 45 and 47 is 46, which, divided by 2 is…23.

Barry Blitt’s ‘Anything but That’ …at 23rd St??

This isn’t to say 23/Uranian discordant energy is necessarily always bad, but it is often shocking – you don’t see it coming – and has the effect of breaking up the harmonic order it refuses to fit into.

Returning to the main theme, Typhon, I also learned that astral Typhon was discovered Feb 5, 2002 – exactly 23 years to the day of this earthquake! (Yes, tremors started earlier, but it’s not an official quake unless it registers 5. on the Richter scale). Very mysterious, especially with Typhon’s distinctly serpentine attributes and it being a lunar EARTH SNAKE year.

Stamp featuring Zeus and Typhon duking it out

But is there a deeper meaning to all this, not just some wow-conspiracy-theory-sounding-coincidence? We have to remember that the Underworld, to the Greeks, was not yet the Hell of Christianity, although it did have a section like this for bad people and monsters, called Tartarus. Rather, Hades was an inverted, somewhat depressing mirror version of the above world of the living. Pluto is simply dark Zeus (also Dionysus, but let’s keep it simple).
Uranus, named after the sky itself, gets and sends its energy from the beyond the Saturnian sphere, ‘out of the blue’, often taking the form of inspiration (Urania) or strokes of genius. It’s fiery/airy. If Uranus is the higher octave of Mercury, then its ‘messages’ are going to come faster and more intensely. Typhon, similarly, rears up from deep below, sending shocks in the form of earth or water events, rocking our physical foundations.

Giulio Bonasone (Italian 1531-76), Jupiter, Neptune and Pluto dividing the universe. MET

When Jupiter and his two ‘brothers’ (actually all aspects of the one triplicity) cast lots and divided the realms, Neptune didn’t just get the sea, but the whole ‘middle realm’ where the other two worlds meet. We currently have the North Node conjunct Neptune in Pisces, trine Typhon/Scorpio, sextile Uranus/Taurus. Meanwhile, Pluto, Lord of Hades is in Uranus’ fixed air sign of Aquarius. We look to global events for clues to how and where the planetary aspects are manifesting. Greece is where our western ‘civilization’ began, The surrounding seas and islands are literally the realm of the old gods. Seems to me that some very shape-shifting, powerful chthonic and cosmic forces are at work or perhaps even doing battle, their combined effect being felt acutely by us middle-realm dwellers. Perhaps the frequency of 23 provides a conduit. ~rb

In the next instalment I will further explore 23 and Uranus in the charts of various air disasters.

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July 15, 2024July 15, 2024

Mars and Uranus and Algol, Oh My! – All 12 Houses, with B-Movies

Algol card from Le Tarot Astrologique, George Muchery

“A series of shocks – sneakers fall apart”
~ David Bowie/Up the Hill Backwards

We’ve heard the buzz, we’ve witnessed heads rolling on the collective stage. So what does it all mean, Algol ‘conjunct’ Mars and Uranus?

Ra’s al-Ghul, the ‘Demon’s head’ was not always associated with Gorgon and her blinking eye (the Hebrews knew it as the ‘Devil’s head’ but also the vampiric Lilith), but whatever, same evil connotations. The word comes from al-kuhl – meaning kohl, specifically referring to powders produced by alchemical sublimation. So already we find Algol linked to alchemy (and thereby chemistry), if only by name. Also, might ‘turning to stone’ have a double meaning?

Algol’s declination is way outside the ecliptic – it is not within the zodiacal constellation belt – so we can’t truly say it is ‘conjunct’ Mars and Uranus. But it does align latitudinally with 26 degrees of Taurus. A distant, fixed star like Algol becomes most potent at the time and place where it is a) rising, culminating or setting b) doing so with a planet or in aspect, or c) doing so with/aspecting another fixed star, which is calculated differently than with planetary aspects.

Trump’s transit chart at the time of his near-Kennedy moment showed Mars and Uranus (and thereby Algol, by latitude) all right on his midheaven (top point/angle of the chart), which is very significant. However, for the time and location, Algol was in fact below the horizon, having already set and not yet risen. So this might explain why the bullet only clipped his ear, the star’s power wasn’t at its peak. (Am hoping the Teflon Don will now fall on his knees, a changed man, due to Jupiter’s grace, but won’t hold my breath). I have always thought Trump looks like he’s begging to be put out of his misery. As it turns out, the shooter himself had natal Mars conjunct Uranus which landed on Trump’s natal descendant, and opposed Trump’s Mars/ascendant. (Descendant can signify shadow projection). Tragic, in every aspect.

Uranus has been in Taurus a while now, urging change in a sign that hates being urged to change. It’s been a slow burn, especially for Taurus, earth signs and anyone with significant aspects to it. Uranus is electric, original, can be irrational, weird or totally scientific and detached. It is also futuristic. Just about every kind of horror B-movie monster created in a lab by a mad scientist or met in outer space is under Uranus’ jurisdiction, but so are downloads of inspiration and information from outer to inner space (strokes of genius or ‘daemon’). These I like to attribute to Urania, its feminine side, muse of Astronomy, Astrology and all things cosmic.

Mars is a firebrand, firecracker, firearm. He’s our ammunition, our physical energy and will power, our will to live. He’s now oriented. Whether hero saving the day or toxic masculinity personified, he works alone. In Taurus, he is somewhat restricted to working underground, it’s a sign he can’t be his spontaneous, bravado self in. So again, in terms of the shooting, the sniper acted alone, probably fancied himself a hero, and secretly plotted the whole thing out, over time (he didn’t just wake up with the idea that morning).

The two planets together, in exact conjunction today, are explosive. Avoid confrontation for the next several days, please. Ask yourself is it worth ‘losing my head’ over? Because with Algol in the mix, it could happen, one way or another. Headaches are another possibility. Algol mojo is the most powerful of any fixed star. We now know it is not a binary system (two stars) but actually a trinary one (three stars). There were three Gorgon sisters, and they had three sisters called the Graeae, who were born old with grey hair. They shared one eye and one tooth between them, passing it around (Perseus stole these as ransom until they told him where to find Medusa). Coincidence?

We want to make this alignment work for us, but to do this, our own Mars must be a noble hero, not a blow-hard with a big ego. Perseus, Medusa’s assassin, can be seen as either. Solar heroes tend to be not very bright, but very brave and willing. They have a particular bias toward anything that slithers – serpents, dragons, sea monsters – which symbolize the untameable, irrational, lunar (dark) forces of the creative feminine, but also monsters we create from shadow.

[I’ve written about Medusa and her relationship with Athena pre-Perseus, so search her name herein if you are curious, but this article concerns the classical, Perseus myth, forever preserved in constellation lore. The Perseus/Medusa myth goes back to around 500 BC, and gorgon/gorgoneions probably before that, but Andromeda’s rescue was added much later.]

Perseus, our Mars/Taurus hero, didn’t just wake up one morning and decide to go kill Medusa, Athena put him up to it. Athena represents the rational, cooler expression of Uranus in this scenario. Medusa (flip side of the same coin) represents the B-movie monster created by an out-of-control experiment (Athena ‘turning her into a gorgon’ in the first place). Asteroid Pallas Athena is currently opposite Mars, in his home sign of Scorpio, getting a ‘removed’ perspective.

In our own lives, depending on which house of our chart this conjunction occurs in (find 26 Taurus in your chart), here lies something which has ‘come to a head’ – a head that has become a monster that petrifies everything (ie, can no longer move/grow). Your inner Athena has taken an objective view of the situation and has decided something drastic must be done. Hopefully you are conscious of this, because then you can be in charge of deciding what form your Perseus will take. Unconsciously, outer events seemingly come out of nowhere (Uranus) and take you by (sort of) surprise. Stay safe!

[Note, if you don’t know your birth time, then let first house = Aries, second house = Taurus, and so on. Not as precise, but still bears similarity.]

* * * * * * * * * * *

First house of self (or Aries):
You are done to death with the way you look/feel or how others see/don’t see you. Who are you really, today, now, and how can you let your freak fly or let go of being a freak? Don’t hold back! This is transformation time and you can be a trend-setter. A new hairstyle might suffice, but wait a few days, avoid sharp objects about the head today. Wear your fanciest helmet. Taurus is Venus’ sign, after all.

Second house of personal resources/values (or Taurus):
What has been accumulating so much that it has taken on a life of its own and has begun calling the shots? The mould in your fridge? The property you own? It’s time for a cull, to make room for new growth, seek fresh resources. Pegasus and Chysaor were born out of Medusa’s severed neck, and with the use of her severed head, Perseus was able to save the Venusian Andromeda from Cetus. Beauty and love can be radical.

Third house of communication (or Gemini):
Be honest, where does your speech, way of speaking, novel, or life story need editing? It’s possible you need to call in outer help, get a second opinion from someone with a more objective view (or you might be that person for someone else). At least get some distance for a while, stop trying. (Practice Wu Wei). You might just get a brainstorm. There is vast space in the moment. But do stay alert on the road, watch out for those Martian red sports cars.

Fourth house of home/mother parent (or Cancer):
Looks like that reno or repair can’t wait any longer. There may be upheaval, uprooting, cutting of an umbilical chord, or weaning of the infant, whether literally or metaphorically. Comfort zones become (even more) uncomfortable. Something rocks the cradle or the foundations. Practice compassionate un-attachment, letting go. Mothers of those with the 4th house transit might have similar issues now.

Fifth house of creativity/children (or Leo):
For creativity, this is a great boost. You could conceive some original new ideas now. Algol with Uranus can bring strokes of genius. Be open to new daemons, but also note that future-directed Uranus-Taurus genius is not always appreciated in one’s own lifetime. Pro-creatively, this could mean one of those un-planned events, so take extra precautions if not your plan. Existing kids might have head bumps or headaches. No trampoline today, ok?

Sixth house of work/health (or Virgo):
Are your work habits making you sick? You need to change them now and taking more time for self-care and exercise, if this is the case, to prevent a chronic condition from developing. I’m sorry but this can’t be put off any longer. If you are already doing this, fantastic. This conjunction can bring a boost of will to change or a boost of energy. You might also decide to change your work/job.

Seventh house of partners (or Libra):
Can we talk about contracts, shadow projection and who is bearing the other’s what? If you are in an abusive situation (be it with a spouse, business partner or otherwise), and are trying to leave, consciously use the Perseus-Medusa myth to take back the power you gave to the other person, which is also your anger. Athena gets her mojo by wearing Medusa’s head on her breastplate. Reclaim, do not fear.

Eighth house of shared resources/death (or Scorpio):
One of the psychic houses, where what is hidden from sight could take the form of an ‘outer’ surprise. Here is where Medusa might have the upper hand. Also, vials of the blood spurting from her two, severed neck veins – right/healing and left/toxic – were given to Asclepius the healer, on whom Ophiuchus is based. His constellation straddles Scorpio and Sagittarius. It’s where we get the word ‘medicine,’ Use it wisely.

Ninth house of higher mind (or Sagittarius):
Here, this conjunction can be a mind-opener. If your moral standing is in order, Algol aloft should be fine. But if you’ve been pontificating ‘do as I say not as I do’, look out. She doesn’t like falsifiers and will turn you into a relic. Traveling or just reading this Summer should ideally take you as far away as possible, not to escape, but to be a-ston-ished, from ‘attonaire’, a Latin word meaning, ‘as if being struck by lightening.’ (ie, ‘turned to stone’).

Tenth house of career/father parent (or Capricorn):
I could save time by just putting a picture of the Tower card here. What the card actually depicts is a release from a prison tower, by divine intervention. It also has sexual connotations – le petit mort describes the ego death that happens with orgasm. Has your career, persona or reputation become a prison? It’s said the subject draws the lightening to itself. Did Medusa just want out of her misery? Or was Pegasus kicking in his stall?

Eleventh house of friends/groups (or Aquarius):
Are you living for others to the point where you’ve lost yourself? Are you sick of the company you’ve been keeping, not wanting to be in a club that would have you as a member? You might want to speak your mind – just be sure that your intent is for the betterment of everyone, or that you are ok with burning a bridge. Otherwise, it’s you they’ll eat. Stay on the high road, don’t take things personally.

Twelfth house of subconscious/unselfing (or Pisces):
You shouldn’t have trouble with the ‘letting go’ aspects of this conjunction, unless you are attached to things for sentimental reasons, but the acceleration might take you for a spin, if you’ve been just ‘going with the flow’ of changes up until now. This is the house of ‘self-undoing,’ so chopping off your own head is not out of the question. But is it that of the Gorgon or of the Hydra – the monster whose heads keep regrowing – that you sever? ~rb

If you want to know more about your own, fixed star placements and what they mean, here’s a good blog.

And here is a very good book which I invite everyone to buy and read:
KARMA: What it Is, What it Isn’t, Why it Matters by Traleg Kyabgon

Thanks for reading! All written content ©copyright Roxanna Bikadoroff and may not be reused anywhere without permission. Please share LINK only.

June 1, 2024June 3, 2024

Another Side of Mars in Aries – Who Knew?

Today is my Mars return at 24 Aries. I’d been expecting the usual – namely, irritation (I did have an eczema outbreak, but that was immediately after listening to five minutes I’ll never get back of DT’s vitriol, last night) and a sudden surge of willpower to get things done. Check! But I hadn’t expected feeling ‘lighter’, even goofily so.

Aries is of course one of the signs ruled by red planet (the other being Scorpio, traditionally), God of War/Death, so Mars is well-placed here, where he can express himself absolutely. Mars in Aries is direct, to the point, impatient, quick to rile and often fearless, sometimes stupidly so, head-butting in first. But what about when he begins to mellow with age?

Mars is a lone wolf, shunned by the other Greco-Roman gods (together with his sister, Eris/’discord’, currently conjunct at 25 Aries), except Venus, who finds him a turn-on, and Pluto, always glad to expand the underworld population. No stranger to pain, tragedy and suffering, Mars has waded through blood and acquired many a battle scar, thus is also a knowledgeable healer. Military men had to know how to stop the bleeding, remove an arrow, cauterize an amputation, prevent infection, use herbs, and possibly recite prayers for the dying. Bodies belong to Mars, and they are impermanent.

Fool/Comedy and Death/Tragedy, flip sides, Grimaud Tarot de Marseille

But Aries also happens to be the sign of the Fool – the wise Fool or ‘wise child.’ April Fool’s Day is in Aries season, after all, and this is the first sign of the zodiac, the infant. Aries never seem to grow up, yet they see with a clarity (clear vision = clairvoyance) that can be unsettling. Like all fire signs, they like attention and rarely hold a grudge. Perhaps Aries the warrior secretly knows laughter (+good bedside manner) is the best medicine, that humour, like Venus’ love, disarms, and the lone wolf sits beside the Fool on the hill to watch the Sun go down and howl at the Moon.

Ancestor of the big, bad wolf (photo ©RBikadoroff)

So this other side of Mars in Aries becomes apparent. Take a look at the opening image of the Sola Busca Fool/MATO card. I tend to avoid this deck precisely because it is so gory and feels heavily Martian/Saturnian. But how interesting that he has a crow (death) on his shoulder and walks through a barren wasteland, much like a battlefield. He wears red (Mars/blood) and plays a bagpipe, an instrument of war even before the Romans brought it to the British Isles. Hmm.

Sketch of a Roman phallic tintinnabulum, 1746

Mars is currently in the third/last decan of Aries. Depending on which decan system you use, the third is either ruled by Jupiter (most common), Venus or Gemini. Based on how it feels (trine my Sagi Moon), I have to go with the jovial one. A planet in late degrees exhibits an accumulative effect, similar to life experience, or lifetimes of experience. Perhaps this is the real meaning of the dog (or cat) who bites our Fool from behind, a past of aggression he is walking away from, un-attachment to old anger, pain and fear, as he heads into the great beyond. ~rb

You might also enjoy this recent post about the Fool.

Sola Busca and Soprafino card images are from Tarotwheel.net, highly recommended site for Tarot history.

April 3, 2024April 5, 2024

Tarot for Venus Neptune Conjunction at 27-28 degrees Pisces

Beauty is life when life unveils her holy face.

But you are life and you are the veil.

Beauty is eternity gazing at itself in the mirror,

but you are eternity and you are the mirror.

~ Khalil Gibran

August 26, 2023April 18, 2024

Mercury’s Magic Knobs

I had often wondered about these strange little knobs on Mercury’s pouch. That there were usually three of them (or three on the sides and one on the bottom) was no mystery, given Mercury’s magic, threefold ways. But what were they, exactly? What was their purpose, if any? Many theories were given when I posed the question. Pockets? Folds created from tying a square piece of cloth? Little legs to ‘stand’ the open pouch up with? Was it perhaps made of a bird’s skin or cow’s udder and the hanging bits tied up? Might they be buttons and/or have had some protective function?

Details of three woodcuts 15th-17th c and one Roman sculpture

Examples of similar bags were found, but of course nothing old enough still existed for comparison. I should back up a minute here and explain what got me looking at his sack in the first place, which was the Fool’s bindle in Tarot de Marseille. Notice how it is divided into three sections, possibly signifying the three, alchemical substances (sulphur/mercury/salt) or stages (black/white/red), and setting the general theme of triplicity that runs through the major arcana. [Note also the mandorla-shaped mouth of the sack-vessel.]

The TdM Fool’s threefold bindle (detail, various decks)

Drawstring leather pouch and goatskin purse with knobs, France, 16th c

So it seemed that what was originally a natural characteristic (say, knotted udder nipples) gradually became decorative knobs in much later woodcuts, that served no function other than to add a lucky triplicity to Mercury’s accoutrement.

But you know how it is, a planet turns retrograde and answers to riddles (Mercury), an old love (Venus) or cold case murder evidence (Pluto) can suddenly just pop up.

I was looking for something else (naturally), when I came upon this image, not in my Mercury folder. It is of a tintinnabulum from Pompeii, ca 1st c AD. These were little wind-chimes with protective phalli, to keep the bad spirits away (bells would have hung from the ends). The erect phallus was considered a potent apotropiac, and specific to Hermes-Mercury, god of travellers and magicians. They were featured regularly on herms (or just by themselves), situated at crossroads. I dunno, do you think we should add more penises? Maybe a few little ones on the bag, just in case.

tintinnabulum of polyphallic Mercury from Pompeii — Roman tintinnabulum, ca 1st C AD, Naples Museum

Mercury's magic pouch has phallic knobs for keeping evil away — [detail]

Now I know what you are thinking – are you sure? Might there be other examples? And of course, I wondered the same. So I took a close look at another, familiar artwork from Pompeii…

Priapus with attributes of Hermes-Mercury, Pompeii fresco, Naples Museum

I’m afraid there is just no mistaking it. Those impotent little knobs on the magic bag of Mercury are the descendants of once preeminent penises. As for what might be inside said bag…that will have to wait for another blogpost. ~rb

Addendum: After posting this article, suddenly people are chiming In and saying “noooo, wroooong! they are testicles!” Where were they when I first put forth the question? Eh? Eh? Little Red Hen asks. (I jest). Well, of course, once Europe became Christianized, you couldn’t very well put shlongs on everything. So the obvious solution would be to use testicles. It is still part of the magical triad of phallic anatomy, just easier to disguise as knobs or figs or what have you. After all, we are talking about a time frame from Rome BC to the Renaissance, so there is going to be an evolutionary process. Excuse me for trying to get right to the ‘point,’ but my mission was to locate the possible ‘source’. Btw, the Mercurial tradition of touching one’s nutsack for protection (from you-know-who) is still alive and well.

…don’t forget to pick up your lucky bawdy badge on the way out!

bawdy pilgrim badge from the crusades — Crusader ‘bawdy badge’ for protection from STDs in the Holy Land.

July 31, 2023April 5, 2024

One Last Word on Sinéad, the Nightingale

I was thinking how Sinéad reminded me of another scapegoated, outspoken Dubliner – Oscar Wilde, particularly his sad story, The Nightingale and the Rose. Because she is that Nightingale. I had to compare their charts (see bottom of page), the two geniuses actually have much synchronicity. To start with, they have the same lunar nodes, North in Taurus, South in Scorpio. Her Mercury and Neptune (words/art/music) are conjunct his South node, his Uranus (future/genius) is conjunct her North node. She has Saturn conjunct Chiron, the ‘wounded healer’ (2 deg) in Pisces (sign of martyrdom) and he has Jupiter conjunct Chiron (3 deg) in Capricorn (sign of the scapegoat). She has Venus and Sun conjunct by degree and sign in Sagittarius, he Sun and Venus conjunct by sign in Libra. She has Mars at 2 Libra, he has Mars at 3 Sagittarius (each other’s Sun/Venus signs – remember both their lunar nodes are ruled by Venus and Mars).

Addendum: I also just looked at the death chart of Oscar Wilde, and it’s pretty mind-boggling to note that transiting North node, Sun, Uranus, Jupiter and Chiron were ALL in SAGITTARIUS at the time. As well, Chiron was in a wide conjunction with Saturn (Sinéad has them conjunct), Mercury the psychopomp was in Scorpio (as is Sinéad’s).
I have to look into it more thoroughly, but I wonder whether this might be a case of reincarnation…there’s no way to be certain, of course. I know, there is nothing in physical resemblance whatsoever, and there needn’t be, but…she does kind of resemble his long suffering wife, Constance Lloyd. Constance, a journalist, was a political activist and feminist, who fought for and spoke out on women’s rights, education for girls, dress reform (for women to wear comfortable clothing) and the ‘Irish Question’ (of home rule). She also may have died from botched fibroid surgery (a result of undiagnosed MS, it’s thought). Considering they would have had a soul contract and he was a Libra (partnership sign), might there have been some cross-over here?
Wilde himself, after being sentenced to two years hard labour for his homosexuality, wrote about the abhorrent conditions for inmates, calling for change. Like Sinéad booed on stage, he was jeered and spat on by crowds during his transfer to Reading Gaol Prison.

Constance Lloyd, wife of Oscar Wilde, by Louis Desanges, 1882

At the same time, charts can be so clinical. Poetry and song gets to the heart of things, especially since we are talking about people who were devoted to it. This is where the soul reveals itself best, and evolutionary astrology is about the soul’s travels.

“If you want a red rose,” said the Tree, “you must build it out of music by moonlight, and stain it with your own heart’s-blood. You must sing to me with your breast against a thorn. All night long you must sing to me, and the thorn must pierce your heart, and your life-blood must flow into my veins, and become mine.”

“Death is a great price to pay for a red rose,” cried the Nightingale, “and Life is very dear to all. It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?”

So she spread her brown wings for flight, and soared into the air. She swept over the garden like a shadow, and like a shadow she sailed through the grove.

The young Student was still lying on the grass, where she had left him, and the tears were not yet dry in his beautiful eyes.

“Be happy,” cried the Nightingale, “be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart’s-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame-coloured are his wings, and coloured like flame is his body. His lips are sweet as honey, and his breath is like frankincense.”

The Student looked up from the grass, and listened, but he could not understand what the Nightingale was saying to him, for he only knew the things that are written down in books.

But the Oak-tree understood, and felt sad, for he was very fond of the little Nightingale who had built her nest in his branches.

“Sing me one last song,” he whispered; “I shall feel very lonely when you are gone.”

So the Nightingale sang to the Oak-tree, and her voice was like water bubbling from a silver jar.

~ from The Nightingale and the Rose, by Oscar Wilde

The Singing Bird, yet another of her Irish ballads that makes my heart burst.

Thank you Sinéad, beautiful soul, for all your healing, celestial voice and utterly fantastic songs. And thank you Oscar Wilde for your brilliant writing that inspired so many other great artists.

Birth Charts of Sinéad O’Connor and Oscar Wilde

Death chart of Oscar Wilde (should be Paris, France, but won’t make a huge diff).

July 27, 2023December 17, 2023

Jupiter’s Daughter – Sinead O’Connor

Like all her fans, I was crushed to learn of Sinéad O’Connor’s (Shuhada’ Sadaqat’s) death. I’m not going to get too into analyzing her personal struggles…suffice it to say we of the Pisces Saturn opposite Pluto-Uranus generation are working through lifetimes of (usually religious) guilt and/or persecution, which can involve putting oneself back in a similar situation. Sinéad often walked through fire of her own making, but likely she’d been burned (or burned others) at the stake in the distant past. Sadly, she didn’t make her second Saturn return.

Ripping up the pope on SNL “Fight the Real Enemy”

Squares are challenging, especially T-squares, and her Sagi Venus was in this configuration with the Pluto-Uranus/Saturn-Chiron opposition, her Xena warrior Venus believing unequivocally that without the freedom to love who and how we want, there can be no healing. As well, Pallas Athena, Jupiter’s favourite warrior daughter in rebel Aries. But her Black Moon Lilith, sometimes a self-saboteur in youth was also in Pisces, sign of the martyr, conjunct Saturn, and the two of them opposite Mars in Libra. Not easy to keep a balance (Libra) with the ironman Mars sitting on one of your scales, while luminaries Venus and Sun have their hands full trying to mediate the forces of Pluto/Uranus and Saturn/Chiron. Saturn in this placement can feel like one’s been abandoned by god and/or one’s own father, which is what happened. All of them under Jupiter’s watch (see explanation below).

Sinead O’Connor natal chart with asteroids Dec 8 1966

Read her book, ‘Rememberings’ if you want to know about her personal life. Here’s a great Guardian interview from 2021, upon its release.

With Chiron tightly conjunct her Saturn, the urge to break and heal the long cycle of pain would be even stronger, but as we know, Chiron’s own wounds never quite heal even as he healed others. Sinéad gave music her all, and all her music. “We’re only given as much as the heart can endure” sang Capricorn Patti Smith, but Sagittarius is known to bite off more than they can chew. Sagittarius is clichéd as being a lucky, optimistic, freedom-loving zealot. And that would be true. However there is also what I’ve always referred to as ‘the unbearable lightness of being Sagittarius.’ It’s kind of like an unbearable heaviness, except light. (Sagis will understand).

Michelangelo’s sculpture of a young slave – spirit trying to release from body.

I had actually just been listening to Sinéad’s Irish Ballads the night before the sad news broke, that crystal-perfect voice, remembering how she’d said that these songs were ‘ghosts.’ Spirit possession, be it via songs, demons or Holy Spirit or can be a very stressful practice, definitely not for the faint of heart. Sometimes they won’t leave.

Jupiter, like Sagittarius, is given this benign definition of ‘greater benefic’ or ‘fortunate’ or signifying ‘excess’. And these would be true. But Jupiter’s influence, being of the spirit, is perhaps not fully fathomed until a person has passed and their own, ‘larger than life’ spirit becomes one with everything. That’s kind of the whole point of Jupiter’s religiosity (although many astrologers now attribute this ‘seeking oneness’ quality and Pisces rulership to Neptune, I see the outer planets as a slow release over a long period of time, affecting whole generations, so am not quite ready to replace the traditional rulerships with them). Similarly, when a loved one dies you recognize and perhaps feel it in a breeze or passing bird…a Jupiterian serendipity. This planetary god makes spirit known.

Jupiter in the end shows where a person died a ‘good death’ (though not necessarily without physical pain), ‘with honours’ or simply how the pull to spirit realm was at that moment overriding the material. Think of how we are drawn into sleep each night, the realm of dreams – Pisces being Jupiter’s other traditional sign. Likely she died in her sleep.

Sinéad’s Sagittarius Sun (ruler of Leo) was in mutual reception with her Leo Jupiter (ruler of Sagittarius). Her Libra Moon and Taurus North Node were also ultimately under the influence of Jupiter, since her Venus (ruler of Taurus and Libra) was in the sign of Sagittarius. It’s called the ‘chain of command’ in a chart. At the same time, her natal Venus was being trined by transiting retrograde Venus. Retrograde Venus is where we get the myth of Ishtar going into to the underworld – ie, the period of invisibility in the Sun’s rays, before re-emerging the other side – where, en route, she had to remove a veil at each of seven gates (heavenly spheres).

I’m dancing the Seven Veils
Want you to pick up my scarf
See how the black moon fades
Soon I can give you my heart

~ first lines of Sinead O’Connor’s first big hit, ‘Mandinka’

Natal chart with transits on day of departure

When the news of her death broke, Jupiter was conjunct her North Node (future/material) and Sun was on her Jupiter. As well, the Moon was transiting her South Node (past/spiritual) node. The Lunar Nodes are an axis and work together, not separately. Whatever was going on, it seems her God-father came to take her home, with honours for her musical contribution and valiant battle with lifetimes old cause of so much abuse and suffering. Yes, she had a martyr complex at times (her Neptune conjunct south node in the 12th house was a significator of that in this life and the past), but that was also deeply imprinted in the psyche via catholicism. Life throws us enough suffering without the added notion that somehow we ‘deserved’ it and are being punished by the almighty for simply being ourselves, but that is the general idea of ‘original sin’ and it’s made a real mess of things.

Lamp with Ishtar’s underworld twin Ereshkigal, Syria

As well, we see transiting Mercury, flanked by Lilith and Venus, squaring her natal 12th house Mercury, representing her son Shane. Like his mum, he had been institutionalized (12th house), and sadly, although on ‘suicide watch’ he had ended his own life (age 17) last year. She expressed in her last tweet how she was basically walking dead without him, that he was the ‘lamp of her soul’ and that they ‘shared a soul’. Transiting Mercury is the psychopomp, conjunct retrograde (underworld) Venus and Black Moon Lilith (the void/anti-Moon). So much there offering her the door. “Alright, my daughter, you’ve had more than enough.”

It is not personal, human foibles (sorry, media) that ultimately defines how a great artist will be remembered, but their legacy. Jupiter also sired the nine Heavenly Muses, when he slept with the Titan Mnemosyne (‘of Memory’).
I think Sinéad, Jupiter’s daughter, whom Christy Moore once referred to as ‘one of our [Ireland’s] sons,’ and a catholic priest asked she sign his copy of her book ‘because she is a prophet’, was blessed by at least several of them. ~rb

May 13, 2023April 25, 2024

Mercury – I Come in Three!

We are in Mercury retrograde at the moment, so what better time for a blogpost about everybody’s favourite psychopomp and magic number?

Early on, Hermes’ sacred number was 4, being god of the crossroads, which was where his herma were placed. These were originally piles of stones, to indicate the border of someone’s tribal land. Gradually they became erect stones, often with a cross shape (probably for hanging garlands), and a head and apotropaic phallus was added. No matter who travelled there, friend or foe, offerings were made to ensure safe passage of the foreign turf. Perhaps it is related to the practice of marking graves with stones, too, since the dead were buried outside the boundary, for safety reasons. “And stay out!”
Herma for other gods existed, but the name of course relates to Hermes himself. Bust sculptures are probably a continuation of this tradition.

But when we are speaking of Hermes-Mercury as a planetary/astrological god, 3 is the number by which he operates. Think of retrogradation – common to all planets, but ultimately under his jurisdiction. It’s a triple, illusory move (forward-backward-forward) and, in Mercury’s case, occurs 3 times per year, for about 3 weeks, 3 times in the same element. Even in the most astrologically uninformed circles and media, the ‘Mercury Retrograde’ is reknown, if for all the wrong reasons.

How most people view Mercury retrogrades

Since Mercury can never be more than 28 degrees from the Sun, there are but three Mercury placements a Sun sign can have; in the preceding sign, in the same sign, or in one the proceeding it. For example, Taurus can only have Mercury in Aries, Taurus or Gemini. The Mercury placement will inform the Sun native’s expression and how they process information. Is it possible Mercury in these 3, consecutive signs might have a resonance with the phases of retrogradation? Might Mercury preside over midpoints, as well (particularly, one would assume, the Sun-Moon midpoint)? Questions to ponder during retrograde.

When it comes to uniting solar and lunar opposite natures, the realms of living and dead, awakeness and dreaming, the above and below, the within and without, Mercury is the cosmic connector. We see this in traditional Tarot de Marseille, a ‘Hermetic’ Tarot wherein duality and the balance of opposites is a running theme, as is triplicity and quadruplicity.
In alchemy there are three forms of Mercury; vulgar, volatile and philosophical.

Doubles in Noblet Tarot Pape, Pendu, Soleil ca 1650

Mercury’s sigil also has three parts: the cross of matter (or crossroads) surmounted by a solar circle and lunar crescent. And of course, he rules Gemini, sign of the Twins. Perhaps the Virgo rulership might be better understood if we remember the dual nature of the Goddess – those two serpents originally belonged to her, after all. Where Gemini is happy to be two people, Virgo works tirelessly to create wholeness. She is very much like the angel of Temperance, is she not? This card from the Vieville deck could be Virgo with the Mercurial caduceus.

Might we also find a connection between the 6th house (Virgo’s traditional lodgings) and TdM 6th arcanum, wherein a young man stands between two women? It’s interpreted as having to decide between vice and virtue, like Hercules at the crossroads, but I think ‘crossroads’ might be the key word here. That 7th house cusp is the dividing line, after all. Some other blogpost!

Osiris attended by sisters Nephthys (death) and Isis (life), Conver TdM Lover, 18th c

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February 28, 2023March 27, 2025

Pluto Leaving Capricorn – Collective Nigredo Ending?

Concept for Disney’s Snow White by Gustaf Tenggren – alchemy much?

With chthonic ‘dwarf planet’ Pluto at 29 Capricorn and opposite Black Moon Lilith at 29 Cancer, I was reminded of the ‘alchemist mining the earth’. In fact , this theme, I *believe* was central to Snow White and the Seven Dwarfs. ‘Hair black as ebony, skin as white as snow, lips red as blood’ happen to be the three ‘distinct’ phases of the Magnum Opus; nigredo, albedo, rubedo (sometimes there was a 4th, citrinitas, between the albedo and rubedo). These were also enumerated to seven stages, corresponding with the seven planetary spheres…or dwarfs. Not to mention that glass ‘coffin’.

Here is the clip I was rereading from my files, and apologies, I don’t remember where I originally clipped it from, but it is a quote (must be old, as it uses ‘man’, maybe from Jung?):

“The alchemist mining the earth. Mining or going inside the earth is the first step in the alchemical process. The earth is the body or oneself. Going inside the earth is equal to going into your inner self.
Thus we are invited to descend into the earth, into the underworld, or the unconscious. The earth is the symbol of physical man. Man needs to become conscious of his inner world, who he is, what he is doing, what his motives are, and so on. Once attention is directed inwards, a whole new world opens: the underworld of Hades, the dark realm of shadows and monsters.“

And this is from another source, regarding the black phase or ‘nigredo’:

“Here, we are being asked to let go of all within us and outside of us that is false, inauthentic, and not in full alignment with the truth of who we are. This is a truth as it exists on a soul level, far beyond the ego and its limited ideas or illusions about who we “should” be.”

Is it possible that we’re now collectively getting ready to ‘birth’ out of the ‘nigredo’ stage? We began descent into fermentation blackness when Pluto entered Capricorn (feminine earth sign) back in 2008. About a year and a half prior, Pluto had been “demoted” to ‘dwarf planet’ by a handful of young astronomers who thought they were clever by disempowering the planet-god. Clearly, Pluto was in fact operating through them from that unconscious, Hadean realm over which he presides. [Side note: I bet Pluto will take its former status back once it is securely in Aquarius.] As it is, too, with Black Moon Lilith, who loves the freedom of darkness and invisibility of night. In Cancer, the sign of the Moon and mother, she represents the ‘uterine’ blackness itself, the void people desperately try to to a-void but that must be traversed. Our fear of death likely has much to do with our memories of that messy and shocking business of rebirth.

photodigital collage ©Roxanna Bikadoroff

When Ishtar descended into the underworld, she had to leave a veil or some such trapping at each of the seven gates she went through (i.e, stages/planetary spheres). Even then, she had the hubris to want to sit on her sister Ereshkigal’s throne, and for this, she was hung up on a meat hook until she learned her lesson. We can also think of the Hanged Man in Tarot, Odin, and the Freemasons’ weird hanging upside down ritual, meant to instill that same sense of emptying out the false self so as to receive true knowledge that is the ultimate unification of self with world knowledge. The mystery ‘cults’ of Ancient Greece and Rome likely had similar purpose (though originally based on fertility/seasons).
These types of healing and initiation rituals are as old as we are, and are related to vision quests. I am sure paleolithic humans/shamans weren’t so much concerned with ‘self and non-self’ but nevertheless, soul-loss or theft was considered a cause of sickness and their work involved traversing into other realms, perhaps through a pitch black, uterine cave passage, to set things right or be instructed by other beings, ancestors, animal spirits, etc. We exist in more than just this one, as we know simply from dreaming.

What happens much of the time is, people start going through this ‘inward’ process unconsciously and are either unaware or resistant. All one knows is the depression, self-loathing or other emotional unpleasantness that arises. This is a calling from deep in the soul, but thinking that it is abnormal and needs to be ‘cured’, one fights it, is taken over by substances used to quell it, or fears losing control, which is akin to death. Because how can one function in this world, with all its glaring eyes, while descending into another? But there is no choice. If we ignore this call, Pluto will then bring about an outer event that will force us inward. That is what has been happening, collectively. The three outer planets are ‘the three alchemists’; Uranus shocks, burns and blows up, Neptune dissolves and dissipates, and Pluto pressure-cooks us into change that is permanent. Their transits are long, affecting entire generations.
Artists, poets and musicians of each generation are modern shaman-alchemists of sorts, who traverse the deepest chasms to bring back healing for the rest of society (you’re welcome). But it’s not exclusive, by any means.

Pluto will be leaving earth and entering air starting March 23 (with two retrogrades back to Cap), followed by Uranus leaving earth and entering air and Neptune leaving water and entering fire, both in 2025. Use the next couple of years, with Saturn in Pisces and the alchemists still submerged or partly submerged, to do your spelunking. If you are hearing the soul’s call, don’t be afraid to descend, to enter the labyrinth (you can leave a golden thread to guide you back out). Perhaps you are already in one of the stages or nearing completion, as many of my Saturn Pisces brethren must be.
Point is, you are full of hidden mysteries and treasures to be mined!

Here are the Pluto dates from astro.com:

Zodiac mirror, on the wall, who’s the fairest of them all?

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