On July 7, 2025, the planet Uranus will enter Gemini for approximately 7 years. Since Gemini is an air sign, this will be a noticeably different Uranian energy than has been expressed in Taurus. Although Uranus, the ‘higher octave’ of Mercury is said to be the planet of change, rebellion, discovery and so on, in Taurus, this was often felt more as rumbling urges and irritation. (We did see a significant amount of volcanic activity and earthquakes). Think of how mutable earth sign Virgo experiences ruler Mercury’s flighty, buzzing frequency in her earth body as stress. Now imagine Mercury on steroids (Uranus) stuck in in fixed earth (Taurus). So it’s going to be quite a release for Uranus in the Mercury-ruled, intellect-driven, mutable air sign of Gemini.
Traditionally, Saturn – who, like Mercury is a god of alchemy – rules the signs of Capricorn and Aquarius*, and sits in opposition to Cancer (Moon/Silver) and Leo (Sun/gold). The most dense and toxic on one side, the most pure and luminous on the other.
In medieval medical manuscripts, Capricorn was sometimes depicted as a unicorn. The unicorn’s horn was thought to purify any body of water it touched. Powdered, it was a supposed cure-all. Vikings would sell narwhal horns to Europeans, who valued them more than gold for their mythical properties.
A spiralling, calcified growth emerging from the third eye – what a very Saturnine embodiment of awareness, spiritual awakening …. or upgrade/refinement of the caduceus. Commerce and fast talking Vikings.
“We caught the beast called the Unicorn That knows and loves a maiden best And falls asleep upon her breast: We took from underneath it’s horn The splendid male carbuncle stone Sparkling against the white skull bone.”
The unicorn is a beloved mythical beast, but it’s also a monster, in the literal sense. And Uranus can, with its touch, create monsters – bombs, deformities, disasters, etc. Astrologers have been pointing out that the US, with its Uranus and Mars in Gemini, was involved in major wars (WW2 and Civil) during the last two Uranus returns. (Mind you, when has it not been at war, directly or by proxy?). ’47’ has Uranus in Gemini conjunct his Sun and North Node, conjunct the US’s Mars. When the atomic bomb was dropped on Hiroshima, Uranus and Mars in Gemini were conjunct the midheaven (MC).
Uranus can be the ‘terror of the scientific sun’ but it can also be freaks, weirdoes, and, in Gemini, a very odd twin. Alice Cooper has Uranus in Gemini sextile Pluto/Saturn and opposite Jupiter/Moon (47 also Uranus opp Moon). He was able to profit from his goth, nightmarish ‘other self’, but like Jekyll and Hyde, he said it began to destroy him, requiring drugs and booze to keep the stage persona alive.
In a radio interview, Alice Cooper told of how, at the premier performance of “Welcome To My Nightmare”, he was greeted backstage by Groucho Marx, who shook his hand and congratulated him for bringing back Vaudeville. “He got it. He knew what we were up to,” said Cooper.
Mercury and Gemini have a special relationship with theatre and acting (taking on personas/fakery/camp, etc). So with higher-tech Uranus here, the whole issue of AI in the film industry will likely be amped up. Aquarius and Gemini have to do with ‘friends’ and already we see there’s a whole new trend of inventing chatbot AI friends and other relationships. But we could be talking something more along the lines of alternate/mirror universe, with Gemini being doubles. Or a hidden universe that is like a ‘vanishing twin‘ to ours.
Twin flames? Aurora consurgens, St. Gallen 15th century
Uranus in Gemini will make a trine to Pluto in Aquarius and sextile to Neptune and Saturn in Aries. So two air and two fire planets all in cahoots. This is a completely new, volatile, un-formed energy which these planets will now be giving form to or being formed by (or de-formed by, as the case may be). Major ‘upping of frequencies’ going on. Some will find it difficult to handle the new air/fire vibration, and we are already seeing evidence of this, with things like plane crashes (Pluto in Aquarius, but also a metaphor for how our brains are having to cope with increased ‘air traffic’), and this disturbing new trend of cars being driven into crowds of people. Yes, the transit hadn’t officially started, but the apprehension felt at the last critical degrees of the previous sign is enough. There will be adaption, eventually.
Another already visible manifestation of Pluto in Aquarius and Uranus in Gemini is of course crypt-o currency. Pluto is god of the dead and of riches beneath the earth. The amount of minerals/mining required for bitcoin is monstrous and it is why 47 is so keen to have Greenland and Canada. 47’s pimply-faced bazillionare crypto-bromancing dinner (yes, the Banana Duct Tape kid was there) was a prelude. His Gemini stellium slid right into the crypto like well-fitting shoes. Leo is polarity of Aquarius, though, so I don’t imagine gold will lose its value, no matter how many kitschy objets were made from melted down Fort Knox bull-lion. [Look to Ancient Egypt, in the Age of Taurus, as an example of how strongly the polarity sign comes into play (Scorpio). Now we’re at the beginning of the Aquarian Age, which squares Taurus-Scorpio, the two signs governing ‘resources.’]
The Uranus/Gemini combination is very intellect-driven and can even be ‘out-of-body’. In fact, we can expect angels and aliens, ‘friends’ from other realms. There is already much more opening of awareness and communication to the spirit realm, judging by all the YouTube videos. Mediums abound. Gemini, when not grounded (and Uranus is anything but grounded, rotating on its side like a wheel), can also attract unwelcome entities.
So look to where Gemini is in your own chart, this area is going to become lit up and Uranus will demand you up the frequency, upgrade the equipment, open your mind, think different, sky’s the limit. ~rb
Mortal and immortal Gemini twins.
*Personally I’m not completely convinced we should be handing off Uranus, Neptune and Pluto [‘the alchemists’] to individual signs, since they have such long transits and powerful, generational effects. Astrological Uranus is by definition less like the sky god and more like Prometheus, who stole fire and gave it to humans, causing Jupiter to chain him to a rock with an eagle pecking out his (continually regrown) liver every day. Stealing fire to give to humans sounds like something Aries would do! So I do acknowledge the ‘modern’ rulership, but am still informed by the ‘traditional’. (There’s my Uranus/Saturn opposition talking, heh).
In Greek mythology, while transformation into a rock is usually a barren fate, a pattern emerges in which the heroines who were transformed into islands are lovers of the gods; just as islands, like cities, were usually personified as minor goddesses or heroes. [Wikipedia]
This is precisely what happened to Asteria, Titan Goddess of falling stars, oneiromancy (divination by dreams) and astrology (by stars), and mother of Hecate. She transforms herself into the Island of Delos, where her sister Leto at last gave birth to the lunar Artemis and solar Apollo, after an exhaustive search for refuge. The usual suspects were to blame; Zeus for making Leto pregnant, then pursuing Asteria, and jealous Hera’s subsequent curse, that Leto not be able to find solid ground on which to give birth, forbidding all places on earth to accept her. Hera also kidnapped the goddess of childbirth to ensure that Leto’s labour would be ultra painful. Asteria (‘star’) defied Hera’s orders, but as she had not succumb to Zeus’ advances, Hera, though angry, did not punish her.
Artemis was an easy delivery, but Apollo took 9 days and nights to come out (luckily, Artemis was able to assist). There are a few variations on the myth, as is typical. Delos means ‘to manifest or reveal’. It had been a floating island, ’emerged’ for Leto by helpful Zeus (the least he could do since he can’t seem to keep his Tower in his robe). Either it was uninhabited or it was and the people didn’t want her giving birth there, so Leto gifted the island with 4 anchors to keep it stable, which pleased them. Are these ‘anchors’ the 4 Royal Stars (Aldebaran, Regulus, Antares, Fomalhaut)?
‘Cary Sheet’ Star, ca 1500
“Hail. O heaven-built isle [Delos], most lovely scion of the children of bright-haired Leto, O daughter of the sea, thou unmoved marvel of the spacious earth, by mortal men called Delos, but by the blessed gods of Olympos (Olympus) known as the far-seen star (astra) of the dark-blue earth . . . For aforetime, that isle was tossed on the waves by all manner of whirling winds; but, when Leto, the daughter of Koios (Coeus), in the frenzy of her imminent pangs of travail, set foot on her, then it was that four lofty pillars rose from the roots of earth, and on their capitals held up the rock with their adamantine bases. There it was that she gave birth to, and beheld, her blessed offspring.” ~ Pindar, Processional Song on Delos (Greek lyric ca 5th B.C.) [Theoi.com]
Ancient Greek coin (date?)
Both Delos and Delphi, site of Apollo’s famous oracle and omphalos (navel), share the root word ‘del’ with ‘delphini,’ which means dolphin in Greek. Dolphins are sacred to Apollo, Dionysus and Poseidon. The Cary sheet hints at location with a fish-tail shape in the shoreline. Dolphins were considered by mariners to be a very good omen indeed, guiding and protective. They are also known to protect whales giving birth. So saviour-like are dolphins, that in the 14th century, French heirs began calling themselves ‘dauphin.’ It is beyond shameful and utterly reprehensible how modern humans have abused these sacred beings (the marine mammals, not the French kings).
Louise of Savoy instructing her son, Dauphin Francis I, ca 1505
Apollo wore his golden hair long and his sacred number is 7, associated with the traditional planets, stringed lyre and the Pleaides (starry rain-makers).
The cards do not give us absolutes, but evoke in a mnemonic, riddling fashion, so don’t be too confused by the lack of breasts on the Cary water-bearer.
After her transformation into Delos, several stars, deeply moved by her tale, aligned themselves in her honor. This formation, known as an asterism, served as a protective shield and a tribute to the goddess. For sailors navigating the vast seas and stargazers looking up in wonder, this celestial pattern became a symbol of Asteria’s indomitable spirit. [Olympioi.com]
Greek jug (both sides), 3rd-2nd c BC
It’s obvious that the birthing waters have broken, which explains why the card is somewhat incorrectly interpreted as illustrating the zodiac sign of Aquarius. Aquarius signifies a similar idea (and the constellation once included the Southern Fish, with Royal Star Fomalhaut in its mouth) – albeit in the dead of Winter we are talking more about inward, spiritual rebirth, ultimately necessary for a more evolved, physical return (Saturn).
The androgynous figure pours one jug onto the earth and one into the water, as she will do in the classic Tarot de Marseille card. We get the sense of purification by libation – libation of feminine fluids – as well as the cyclical nature of water, aka life, connecting with her arms in a continuum. In alchemy the liquid purification of spirit is considered Lunar and feminine, inner.
A sea of blood and milk…
Now it’s also possible that her two pitchers contain waters of Mnemosyne and Lethe – some Orphic lamellae (gold tablets) instruct the deceased to only drink from Mnemosyne’s streams, not Lethe’s, in order to avoid another, terrestrial birth or an eternity in gloomy Hades:
“You will find a spring on the left of the halls of Hades, and beside it a white cypress growing. Do not even go near this spring. And you will find another, from the Lake of Memory, flowing forth with cold water. In front of it are guards. You must say, ‘I am the child of Ge and starry Ouranos; this you yourselves also know. I am dry with thirst and am perishing. Come, give me at once cold water flowing forth from the Lake of Memory.’ And they themselves will give you to drink from the divine spring, and then thereafter you will reign with the other heroes.” ~ from Petelia, 4-3 BC
Other sources seem to indicate we’re to drink a bit of each. Hmm.
Chosson TdM, 1736, feat. one of many misspellings
The little black bird, which could represent the soul or ‘Ba bird‘, in the background is also a mytho-alchemical clue, for the crow in alchemy is symbolic of Saturn and the blackening (the first stage of the work, now fading in the distance, but not entirely forgotten). In another, Apollo myth, he sends his originally white bird to keep watch (spy) on his lover, Coronis (‘crow’). Unfortunately for everyone involved, the bird reports she’s been cheating with a mortal. Seething, Apollo scorches the messenger for his efforts, then shoots his woman down. Naturally, he regrets it, tries to revive her, but it’s too late, because Greek tragedy. In the opener image kylix detail, we see the blackened crow or raven as Apollo’s bird of prophecy. Are bird and lover one and the same? Only the shadow knows.
Apollo kills Coronis, 1590 engraving by Hendrick Goltzius
During the alchemical opus, there is something called the ‘impregnation stage’ wherein:
The star rises to the surface and thus connects both the upper spiritual part of the vessel and the lower substance. The bird flies upwards, the soul of the process also seeks union with the spirit. The Impregnation is the turning point of this phase, and indeed it marks the point in the whole process where we are no longer dealing with mere material substances, but the seed of the spiritualization of substance has here been sown, and from now on we will see, through the many following stages, just how this seed grows, metamorphoses, and develops. ~ Adam McLean, The Alchemy Website
The blackening of Apollo’s bird and the rising of the 7-pointed star
It’s been pointed out that in the Cary, there is an emphasis on 4 stars surrounding the main one, creating a starry quintessence, but problematic is the 5th ‘extra’ star in the figure’s right shoulder. In keeping with with the theme, however, this evokes the constellation of Orion, aka Osiris, with red star Betelgeuse placed thusly. Osiris was the god of death and regeneration par excellence, whose reappearance signified the annual rising of the Nile and the land becoming fertile again with birthing waters. (Hapi, who was male but had breasts, was the god of the actual flooding of the Nile, that became Aquarius).
Interestingly, one of the reasons Pythagoreans were superstitious about the number 17 was that Osiris was killed on the 17th day of the month of Athyr.
Eridanus, the cosmic River of Night, has a bright, fixed star at either end; in the north, Rigel, situated in the foot of Orion/Osiris, and in the south, Achernar, the ‘end of the river.’ The god-king has one foot in the water at the serpentine river’s mouth, as if being born out of it. (Article with more on this here).
Eridanus, John Bayer
If we count the number of little plants sprouting from the earth in the Cary card, they equal the number of small stars. As above, so below. Inner quintessence = outer/cosmic. This unification can only happen after the Tower – the structures we build around our minds from the outer, ego, etc – has been transformed. The star not only depicts ‘outer space’ but ‘inner space.’
Marriage stela of Tjanetiset feat. red and white Nut, ca. 825–712 BC (MET)
The ancient Egyptians saw earth as the mirror of the heavens. The sky goddess Nut is depicted, like Hapi of the Nile, holding two jugs that flow with the waters of creation/fertility.
Nut was the goddess of the sky and all heavenly bodies, a symbol of protecting the dead when they enter the afterlife. According to the Egyptians, during the day, theEgyptian decans would make their way across her body. Then, at dusk, they would be swallowed, pass through her belly during the night, and be reborn at dawn. She was often painted on the inside lid of the sarcophagus, protecting the deceased. The vaults of tombs were often painted dark blue with many stars as a representation of Nut.[Wikipedia]
Rosenwald sheet 15th c (National Gallery of Art)
In astrology the ‘big three’ of a natal (birth) chart are our Sun, Moon and Ascendant. The Sun indicates the time of year we’re born, energizing the present lifetime and our natural, outward expression of what we aspire to be this time around. The Moon shows time of the month (phase, day) and is indicative of the past and of our inner or nighttime realms – memory, dreams, soul lineage – what we bring with us, unconsciously. The Ascendant completes the picture with our precise moment of arrival/first breath. There is something very fated and acutely personal about this moment.
To the ancients, it was not so much the moment itself or even the rising sign, necessarily, but the star heralding or accompanying the Sun, as it rose on the day of birth (they didn’t have clocks) that was of prime importance. Stars on any angle or conjunct a luminary or planet are also significant, coming into play at different times during the course of a life. We could muse that this first star on the horizon is our navigational star, guiding us back to the ‘berth’.
Compass rose, France 1543 and sounding lead (for measuring depths), Marseille, 1st c
The TdM Star card is also interpreted as Venus, since she is symbolized with 8 points, but of course she can also have 5 (evening and morning star symbols). In the Tarocchi of ‘Mantegna’ print below, we find Venus in her river toilette (note the anagram, there), with her entourage of Eros and the Graces, looking suspiciously like the Star card figure. Meanwhile, in the unique, Leber-Rouen card, a witchy ‘Stella Maris’ looks like the wild twin of Botticelli’s serene goddess. (Might the cross/ankh around her neck have been an add-on?).
‘Mantegna’ Venus and Leber-Roen Venusian, mid 15th c
Lodovico Lazzarelli, in his De Gentilium Deorum Imaginibus (trans. William O’Neal) described the first one:
Nude Venus swims forth from the midst of the natal wave of the sea, and the fair one holds a sea-shell in her right hand. For she divests lovers from extraordinary cares and affairs. Nude Venus calls nude bodies to herself Indeed the sea shell engages itself in sexual union within its own body. Passionate love is ship-wrecked by a sea of troubles.
The victor stands with his quiver of arrows, and he is swift on his wings. The nude boy Cupid stands with eyes covered. At one time he hurls down golden arrowheads from his bow and at another time lead ones, and each strikes the hearts of men with a different wound. The lead-tipped arrows drive love away but the golden-tipped bring it about. As hatred is strong so also love is dear. The nude boy loves the defenseless. Love with eyes covered does not know at whom he aims. He drags his prisoners through hard places. And those ignorant of every road wander off through lonely places The boy calls young men to his camp. Love marks out their unstable souls for his swift wings. He causes wounds hastened along by his quivers.
The Idalian nymphs, the fair and pleasing crowd of three, stand together with their bodies unclothed. They hold their arms together bound by interchanging bonds as often interchanging Love ties the bonds. The first holds the light of her countenance and her eyes toward us. The rest of her group sees us in her gentle eyes. First, Pasithea enraptures us in her gentle fires. Aglaia revives those taken in with her flattery. Euphrosyne entangles them in fetters and strong chains, and she does not permit her captives to go back. Then, Venus, pitying those mangled in such sorrows encourages them with her sweet enticements and flattery. Poets have treated these many things from the star of Venus which lovingly presides over the triple place of heaven. This constellation stands in the highest part of heaven with a triple name. Of course, it has always been said to be Venus.
Sounds a bit like alchemy-speak, no? Lead and gold-tipped arrows? I’m still pondering the arrangement of her four doves. Anyone?
In the Leber-Rouen card, our Stella Maris is of course Venus-Fortuna, for she holds in one hand a large arrow-cum-spindle, its quiver wound (with hair?). In the other, she grasps a lock of her windswept tresses. It bears a similarity to Lazzarelli’s description – she lures or navigates ships through shifting weather in the same, fated manner as Cupid sends forth his arrows.
Dame Fortune wielding a large arrow, French, 1403
Sailors were a superstitious lot. They believed women, being ‘wetter’ (ie, more lunar) than men had a special power over the sea. Medical writers like Pliny the Elder, in his Natural History (77 AD) declared, “For, in the first place, hailstorms, they say, whirlwinds, and lightening even, will be scared away by a woman uncovering her body while her monthly courses are upon her. The same, too, with all kinds of tempestuous weather; and out at sea, a storm may be lulled by a woman uncovering her body.” Hence ancient goddesses, Isis in particular, but also the Stella Maris (‘Star of the Sea’, which could be Venus or any navigational star) became protector of ships at sea, and female figureheads were often bare-breasted.
The power of the jugs
Now, obviously I’ve focused only on the more cryptic Star cards, as mystery is what I find interesting, but there are just a few more worth an honourable mention, before wrapping up this essay. Their imagery, at first, may not seem to relate to our running theme, but let’s take a closer look…
Tarot of Paris early 1600s, Jacques Vieville 1650, ‘Mantegna Tarocchi’ Geometria 1460s
The third image is not a Star card but depicts one of the Liberal Arts inspiring these learned men: Geometry (‘to measure the earth’). Of all the Liberal Arts personified in the ‘Mantegna’, she is the only one floating in the sky above.
In the first card, the man sits at a drafting or reading table with books on it and holds the compass to his head, in thought. It’s hard to say whether he’s aware of the Star or whether it’s symbolic only, but divine, mathematical inspiration is being transmitted. I like to think of him as either an astrologer or an explorer creating maps.
Checkered floor of the alchemy lab
In the second card, the central Star and four little stars form a ‘quintessential’ arrangement. An astronomer/astrologer or mason (or alchemist) sits in contemplation or meditation before a cathedral-like building that has a clock or rose window in its bell tower. The division of the cosmos has now become a precision science, thanks to the sacred gadget. He appears to be measuring the heavens, but as in the Paris card, the compass almost seems to be a conduit and, held this way, it resembles the numeral V (5). The ground has a checkered pattern typical of masonry tiles and alchemists’ labs, but also resembling meridian lines of the earthly plain. Vieville or whoever created the the images for this deck was likely of the Rosicrucian Brotherhood. It’s just barely possible find a rose hidden under that red circle behind the figure’s head.
Like the Cary, in Vieville we find a 5th small star, this time in the clock/window face, connecting the above and the below. The Vieville Star card with its theme of enlightenment is in contrast to his Moon card, wherein an old woman sits spinning yard (and fate) under a tree, in the realm of night.
Geometry’s sacred tool.
The compass (actually called a divider) was specifically created in order to measure the heavens (hence time), while the much older square was used for earthly structures. These were the two essential tools of the stone masons and still form the well-known, Freemason logo. Because it allowed for the concept of eternity/divinity (the monad) to be perfectly drawn, the compass became a symbol of man’s spirituality and higher nature.
“It is said that the compasses’ two points represent spirit and matter, life and form; from these all the complexities of the fleeting, ever-changing mantle of the one-life are produced within the circle, self-imposed by the Being who has decreed the bounds of His Universe or His System.” ~ Harold Bayley, The Lost Language of Symbolism
Thus in these two variations, another aspect of the Star is emphasized: human intellect (Mercury/Aquarius) or indeed wisdom as the vehicle for uniting Heaven and Earth.
God/Christ the Geometer creating the world soul, 13th c
The sacred tool bears a notable resemblance to a stork or crane, birds associated with birth/immortality (like crow and raven, they are interchangeable, symbolically). We all know the greeting card baby delivery propaganda, but it was once the belief in Ancient Greece that they actually stole infants, like Harpies. [Fun fact: vultures evolved from storks.] Hera’s wrath again – this time at some haughty Pygmy queen who’d just given birth to a son:
The other Pygmies brought many gifts for the newborn infant, but Hera, enraged that Gerana would not worship her, elongated her neck and turned her into a crane. Wishing to keep close to her child, Gerana as a crane would fly from roof to roof, but the people armed themselves and chased her away, and thus arose the rivalry between the Pygmies and cranes. [Wikipedia]
“I’m crushing your head!”
Nevertheless, the nesting of cranes/storks on one’s rooftop is generally considered auspicious. People sometimes placed old cartwheels on the roof, to help initiate nesting. (Interesting we have named the mechanical monsters of construction after them, due to the resemblance).
Indeed, if we zoom in on the ‘Mantegna’ Geometria print, we find one of these very birds hunting in the river below….and it has caught a snake!
Master of the e-series, Ferrara, 1460s (MET)
From compass to compass, star to star, this concludes our sojourn of the 17th Triumph. Thank you for reading. To explore more articles on the Tarot de Marseille, simply type ‘TdM’ into the search, or scroll the Home page, where I list recent articles. ~rb
[Originally posted April 17, 2023, now re-posted with some Mercury retrograde addendums and edits. Enjoy!]
In 15th century Renaissance Tarot decks, this allegorical figure was called ‘Time’ and his device was an hour glass. Later, with a few exceptions, it was replaced by a lamp, changing the meaning somewhat. Instead of being a Saturnine symbol of old age reminding us of the passing of our mortal existence, he became more of a monk-sage, holding up a guiding light for seekers. But as we shall see, the two are not so different.
Visconti-Sforza Time
In this well-known Visconti-Sforza card, Father Time holds the hourglass and wears the deep blue of Lapis, i.e, wisdom/the philosopher’s stone (Lapis simply means ‘stone’). This he will wear into future Tarot decks, it is his trademark. On his head, a dome-shaped turban with rings. Until the 18th century, Saturn was known as the outermost planet, whose orbit encircled those of all the other planets’. It was the last stop. The average person was fortunate to experience one or even two Saturn returns in a lifetime. (The super-power of survival, however, is a common gift to those born under his rulership).
His colours are probably indicative of ‘the work’. Inside its holder, the hourglass is black and white (I inquired – it is not tarnished silver, but black paint). Likely this means the white inside it is salt. The tria prima of philosophical alchemy are as follows:
– SALT representing the body, which is material (in hourglass, also his white gloves, socks, hair)
– SULPHUR representing the soul, which is fiery (hat colours, also his lining or undergarment, boots)
– MERCURY representing the spirit, which is watery (blue cloak)
The green grass is symbolic of renewal/rebirth, nature, and is perhaps also an alchemical reference, which the Hanged Man card of this deck picks up on.
The planets are the ‘above’ to alchemy’s ‘below’, the metals, but spiritual (or philosophical) alchemy is about the transmutation of the soul.
Saturn, from Lazzarelli’s De Gentilium Deorum Imaginibus, ca 1470
The ‘So-Called Mantegna’ prints, an Italian Renaissance relation, though not actual cards, were a little more esoteric. Above is a page from a book by Ludovico Lazzarelli, which beautifully replicates the prints, in colour, with fancy borders. While still nothing typically Hermit-like about him, other than his shabby cloak, Saturn is doing the most allegorical thing possible to show the passing of time – eating his offspring, in order that he might reign eternal and avoid succession. (This was actually what kept patriarchs awake at night, in olden days). The serpent or dragon biting its tail is one of the oldest alchemical symbols, representing mercury and the work itself; ‘my end is my beginning’.
Seated in a line, as if to complete a (second) scythe shape, are four of his children, a fifth one is about to be devoured. The sixth, Zeus-Jupiter has been hidden away by his mother, Rhea, and will later return to succeed his Titan Father, beginning a new era of Olympian rule and providing an endless supply of mythology for generations to come. That cherub on the right holding a golden ‘O’ (mirror or empty picture frame) for ‘Olympus’ might be him, preparing his new place in the line. The babe at its father’s lips must be Vesta, who was born/eaten first (and coughed up last). In fact, at one time, first-borns were given to the Gods, in sacrifice, that was their honour. Again, the theme of age, elders, death. Note the mysterious (funerary?) urns which match the four, seated babes – Juno, Pluto, Neptune and Ceres. Missing is Vesta’s urn…are we to presume that Saturn himself is the container for her? Attached to the two brothers’ urns is a wreath, signifying completion, while new growth emerges from the sisters’ taller urns.
Rare Vesta in human form, Pompeii, 1st c, note she also holds a coiled serpentVesta or Vestal, lifting her lamp
In Ancient Rome, Vesta (Greek Hestia) was Goddess of the hearth, eternal flame of the city. Vestal Virgins enjoyed much privilege…as long as they kept their vow of chastity and never let the eternal flame go out. Punishment for either was severe, usually being sealed up or buried alive. Extreme Saturn. The fate of Rome itself depended, it was believed, on that fire being kept alive. Similarly, and prior to this, in each Roman home, women had to ensure their home hearths didn’t go out, lest the ancestors and living family should suffer calamity.
Europa, Ripa 1603 and TdM style Hermite, 18th c (?)Lamp-lifting Hermits: Old one from Lyon, Dodal Tarot de Marseille mid-17th c, Grumppenberg ca 1807-1816 (note the copulating snakes suggesting Tiresias).
Am likely not alone in seeing the Hermit’s lamp as being temple-shaped. It was indeed Vesta’s temples that were circular and domed, to replicate the dome of the sky over the earth. Just as Vesta’s flame represented eternal life, the little light in the Hermit’s temple-shaped lantern must also be symbolic of the eternal existence of spirit. 9 is indicative of (human) gestation…a most mysterious alchemical process.
Roman coin, silver, 55 BC
Returning to the Visconti-Sforza card, we find that the leap from being an allegory of Time to the christianized (?), hermetic Hermit of TdM is really just a small step. His hourglass is encased in a tri-sectioned (Hermes-Mercury), lantern/temple-shaped holder, and the black outline of the hourglass is shaped very much like two, entwined snakes. The TdM card simplifies it into a tri-sectioned lantern and calls him l’Ermite or l’Hermite, as an added clue (both old and new French were used, depending on when/where the cards were printed, meaning doesn’t change). Time is not simply about counting hours, but is essential to the great work that is our development of spiritual wisdom over the course of a lifetime. This ultimately (hopefully) prepares us for our transition from bodily form to spirit. The blue cloak takes up most of the V-S figure, while the white areas of salt and body are comparatively small.
V-S card detail
By now I hope you can see the connection between Saturn, representative of constricted time, lead and bodily age, and Vesta, embodiment of the vital, ever transformative life force energy – that which is eternal, whether you interpret it as Earth-fire, the Sun (by which her sacred fire was lit for the Olympic Games) or Holy Spirit. The Hermit holds up this little, temple light not as literal Vesta, but to evoke what her temple and fire signifies. Number 9 will in fact re-emerge or be reborn, in the Sun card, number 19, after a process of being ‘tortured’ (alchemically speaking) through the next 9 cards. In astrology, too, the 9th sign, following the trials of Scorpio, is Sagittarius (aka the Sage) – mutable, transforming flame of the fire triplicity. Keep this light burning within you at all times, never let it be snuffed out. If it is, well, fortunately Vesta is also the sacred, phallic fire stick (brother Jupiter to the rescue!), with which she rekindles herself. This was inserted into a hollow piece of wood and “rotated in a phallic manner” to light her flame, ahem.
Time/Hermit, Bologna Leonne 1776 and Horologion (time keeping) Tower, Athens
Segue and full circle… I had mentioned device exceptions. This Time/Hermit figure above has both a (phallic?) column – probably a sundial, ironically – and wings on his back. It is usually interpreted as the fleeting of time but another way to see it is buoyant spirit (wings) readying to leave the heaviness of this mortal coil or simply not being affected by it. Perhaps the same sort of idea as the Tower card, a release from bondage or prison. Sometimes the elderly do begin to look angelic. Or maybe it’s just the signature of our old friend, Hermes-Mercury, the winged wonder.
The Sanskrit word for temple (I recently learned), mandir, is a combination of mana, meaning ‘inner self’ and dir, meaning ‘a place’, ie, a ‘place where the inner self lives’. I can think of no better description for The Hermit.
Tarot images are cryptic, it’s not ‘this = that’, but rather, ‘this resembles that, I wonder if there might be a reason…’
Saturn and Vesta sitting in a forest, The Allegro & Il Penseroso of Milton, 1848 [BM]
Like all her fans, I was crushed to learn of Sinéad O’Connor’s (Shuhada’ Sadaqat’s) death. I’m not going to get too into analyzing her personal struggles…suffice it to say we of the Pisces Saturn opposite Pluto-Uranus generation are working through lifetimes of (usually religious) guilt and/or persecution, which can involve putting oneself back in a similar situation. Sinéad often walked through fire of her own making, but likely she’d been burned (or burned others) at the stake in the distant past. Sadly, she didn’t make her second Saturn return.
Ripping up the pope on SNL “Fight the Real Enemy”
Squares are challenging, especially T-squares, and her Sagi Venus was in this configuration with the Pluto-Uranus/Saturn-Chiron opposition, her Xena warrior Venus believing unequivocally that without the freedom to love who and how we want, there can be no healing. As well, Pallas Athena, Jupiter’s favourite warriordaughter in rebel Aries. But her Black Moon Lilith, sometimes a self-saboteur in youth was also in Pisces, sign of the martyr, conjunct Saturn, and the two of them opposite Mars in Libra. Not easy to keep a balance (Libra) with the ironman Mars sitting on one of your scales, while luminaries Venus and Sun have their hands full trying to mediate the forces of Pluto/Uranus and Saturn/Chiron. Saturn in this placement can feel like one’s been abandoned by god and/or one’s own father, which is what happened. All of them under Jupiter’s watch (see explanation below).
Sinead O’Connor natal chart with asteroids Dec 8 1966
Read her book, ‘Rememberings’ if you want to know about her personal life. Here’s a great Guardian interview from 2021, upon its release.
With Chiron tightly conjunct her Saturn, the urge to break and heal the long cycle of pain would be even stronger, but as we know, Chiron’s own wounds never quite heal even as he healed others. Sinéad gave music her all, and all her music. “We’re only given as much as the heart can endure” sang Capricorn Patti Smith, but Sagittarius is known to bite off more than they can chew. Sagittarius is clichéd as being a lucky, optimistic, freedom-loving zealot. And that would be true. However there is also what I’ve always referred to as ‘the unbearable lightness of being Sagittarius.’ It’s kind of like an unbearable heaviness, except light. (Sagis will understand).
Michelangelo’s sculpture of a young slave – spirit trying to release from body.
I had actually just been listening to Sinéad’s Irish Ballads the night before the sad news broke, that crystal-perfect voice, remembering how she’d said that these songs were ‘ghosts.’ Spirit possession, be it via songs, demons or Holy Spirit or can be a very stressful practice, definitely not for the faint of heart. Sometimes they won’t leave.
Jupiter, like Sagittarius, is given this benign definition of ‘greater benefic’ or ‘fortunate’ or signifying ‘excess’. And these would be true. But Jupiter’s influence, being of the spirit, is perhaps not fully fathomed until a person has passed and their own, ‘larger than life’ spirit becomes one with everything. That’s kind of the whole point of Jupiter’s religiosity (although many astrologers now attribute this ‘seeking oneness’ quality and Pisces rulership to Neptune, I see the outer planets as a slow release over a long period of time, affecting whole generations, so am not quite ready to replace the traditional rulerships with them). Similarly, when a loved one dies you recognize and perhaps feel it in a breeze or passing bird…a Jupiterian serendipity. This planetary god makes spirit known.
Jupiter in the end shows where a person died a ‘good death’ (though not necessarily without physical pain), ‘with honours’ or simply how the pull to spirit realm was at that moment overriding the material. Think of how we are drawn into sleep each night, the realm of dreams – Pisces being Jupiter’s other traditional sign. Likely she died in her sleep.
Celtic designs on Jupiter
Sinéad’s Sagittarius Sun (ruler of Leo) was in mutual reception with her Leo Jupiter (ruler of Sagittarius). Her Libra Moon and Taurus North Node were also ultimately under the influence of Jupiter, since her Venus (ruler of Taurus and Libra) was in the sign of Sagittarius. It’s called the ‘chain of command’ in a chart. At the same time, her natal Venus was being trined by transiting retrograde Venus. Retrograde Venus is where we get the myth of Ishtar going into to the underworld – ie, the period of invisibility in the Sun’s rays, before re-emerging the other side – where, en route, she had to remove a veil at each of seven gates (heavenly spheres).
I’m dancing the Seven Veils Want you to pick up my scarf See how the black moon fades Soon I can give you my heart
~ first lines of Sinead O’Connor’s first big hit, ‘Mandinka’
Natal chart with transits on day of departure
When the news of her death broke, Jupiter was conjunct her North Node (future/material) and Sun was on her Jupiter. As well, the Moon was transiting her South Node (past/spiritual) node. The Lunar Nodes are an axis and work together, not separately. Whatever was going on, it seems her God-father came to take her home, with honours for her musical contribution and valiant battle with lifetimes old cause of so much abuse and suffering. Yes, she had a martyr complex at times (her Neptune conjunct south node in the 12th house was a significator of that in this life and the past), but that was also deeply imprinted in the psyche via catholicism. Life throws us enough suffering without the added notion that somehow we ‘deserved’ it and are being punished by the almighty for simply being ourselves, but that is the general idea of ‘original sin’ and it’s made a real mess of things.
Lamp with Ishtar’s underworld twin Ereshkigal, Syria
As well, we see transiting Mercury, flanked by Lilith and Venus, squaring her natal 12th house Mercury, representing her son Shane. Like his mum, he had been institutionalized (12th house), and sadly, although on ‘suicide watch’ he had ended his own life (age 17) last year. She expressed in her last tweet how she was basically walking dead without him, that he was the ‘lamp of her soul’ and that they ‘shared a soul’. Transiting Mercury is the psychopomp, conjunct retrograde (underworld) Venus and Black Moon Lilith (the void/anti-Moon). So much there offering her the door. “Alright, my daughter, you’ve had more than enough.”
It is not personal, human foibles (sorry, media) that ultimately defines how a great artist will be remembered, but their legacy. Jupiter also sired the nine Heavenly Muses, when he slept with the Titan Mnemosyne (‘of Memory’).
I think Sinéad, Jupiter’s daughter, whom Christy Moore once referred to as ‘one of our [Ireland’s] sons,’ and a catholic priest asked she sign his copy of her book ‘because she is a prophet’, was blessed by at least several of them. ~rb
What does this famous line, chanted by the three Weird Sisters in Shakespeare’s MacBeth actually refer to? It’s Gemini season, so let’s deep dive into doubling.
The Tragedy of MacBeth
The Weird Sisters are basically the Fates (Moirai) or the Graeaes. We’ve spoken about three being the magic number of Hermes, but of course it is also the magic number of the Lunar Goddess, that maiden-mother-crone of past-present-future who spins the cycles of earthly existence. Hence three witches, fates, etc. The allegory of lunar Fortuna as black and white illustrates that ‘Some are born to sweet delight/Some are born to endless Night’(William Blake, Auguries of Innocence) and the changeability of fortune in general.
Fortuna with black and white Moon face
As the Sisters chant ’round the cauldron, they concoct and prophecy General MacBeth’s destiny – that he will become Thane of Cawdor and King of Scotland. Hurray, but unfortunately MacBeth is not qualified to achieve the spiritual gold, because he lets his own demons run amok and, well, not to get too far into it, an unholy bloodbath ensues. According to my teacher mum, the tragedy demonstrates a perversion of the alchemical stages, which occur in backwards/out of order, from gold to black. ‘Fair is foul and foul is fair.’
Poster for Polanski’s MacBeth film – note the reverse Ace of Swords
So ‘Double Double’ refers to the two sides of fate and of human duality. With ascension to power, fame, wealth, there are pitfalls, if the destructive/shadow side of a man’s nature is not kept in check. This poster for the Polanski film depicts the reverse of an emblem we recognize as the Tarot Ace of Swords. In the card, the sword of Truth, pointing up, is both penetrating and girdled by the yonic crown of Wisdom (Sophia); the olive branch (lunar) of peace and palm frond (solar) of victory are held in equilibrium. I believe the symbol might possibly come from the Isis lotus flanked by two serpents, below.
Water canister (detail) Pompeii Isis temple, Ace of Swords (negative for comparison )
‘Toil and Trouble‘ is a forewarning that might refer to ‘the work’ and its inherent dangers. Be careful what you wish for. They famously tell him ‘none of woman born‘ shall be able to harm him, but neglect to mention the fine print, that C-sections don’t count. There are ‘doubles’ all through the play – specifically MacBeth and his wife, Lady MacBeth (she has no first name, for starters), who, in absorbent, lunar fashion disappears further into madness as her husband commits crimes. In reverse process, they start out unified, but become separate, Lady MacBeth eventually committing suicide.
The Sacred Marriage
2 Twos of Cups
A more joyous union, or at least the beginning of one, is beautifully illustrated in the 2 of Cups. Typically in Tarot de Marseille, the two dolphin-fish are slightly different in appearance. This twin fish theme, besides being Piscean, can also be traced back to the ancient, pagan world. In the sanctuary of Didyma (“twins”, thought to refer to twin temples of Apollo and Artemis), Greece, for example, we find a figure not unlike the split-tailed melusine (aka the Starbucks mermaid), who grasps her two tails, or sometimes two fish, much like the ones in the Cups card.
Didyma figureTwo versions of Mesuline
The 2 of Cups was one of the minor arcana cards with a space where a printer could put their name or an emblem. In these two examples, the emblem beneath the cups is not unrelated, heralding love and peace (the heart and olive branches). This card had come up in a discussion, recently, regarding the two ‘trumpets’ therein. Are they in fact trumpets? If so, what kind? Though they resemble telescopes, it’s probably something like a buisine or the North African import, below, played at processions, celebrations funerals and especially weddings.
Medieval double trumpet from North Africa
The Myth of Marsyas
What my little eye spied, however, was the Greek Aulos, a double flute that long ago served the same function, and is associated with the myth of Marsyas and Apollo. (Perhaps the lyre shape behind them was a clue).
The Aulos was said to have been created by Athena, who, upon catching a glimpse in the water of her puff-cheeked reflection playing it, threw the instrument away. It was then found by the satyr Marsyas, who was so elevated by it’s music, he had the crazy idea to invite Apollo and his lyre to a contest – winner ‘have his way’ with the loser. As judges, Apollo chose the Muses and Marsyas chose King Midas. Marsyas won the first round and was pretty excited at the prospect of sex, but for round two, Apollo demanded they play their instruments upside down, putting the satyr at an obvious disadvantage. Apollo was declared the winner, whereby he promptly had Marsyas strung from a tree and flayed alive for his hubris (divine insult against a god), then gave Midas donkey ears. Like MacBeth, Marsyas’ ambition blinded him and didn’t read the fine print of prophecy (Apollo).
Apollo, Marsyas and a Scythian waiting to flay him (relief, middle of the 4th century BC).
The myth is symbolic of the continual battle between the Apollonian reason and the Dionysian madness that make up man’s nature – as viewed by the Athenians. (Presumably women are better versed in this particular polarity, due to our physiological ties to the inconstant Moon…unless they have a partner like MacBeth).
Athena’s horror at her own reflection might have been too much of a reminder of her Medusa side (PMS – a most irrational affliction!). The aulos itself, being a double, wind instrument, can be viewed as expressing two winds or two spirits that ‘make beautiful music together’.
Roman Medusa cameo, 2nd-3rd c – what Athena saw?
As such, there is a deeper meaning to the flaying of Marsyas than the dangers of hubris. In his essential book, Pagan Mysteries in the Renaissance, Edgar Wind explains:
‘The musical contest between Apollo and Marsyas was therefore concerned with the relative powers of Dionysian darkness and Apollonian clarity; and if the contest ended with the flaying of Marsyas, it was because flaying itself was a Dionysian rite, a tragic ordeal of purification by which the ugliness of the outward man was thrown off and the beauty of his inward self revealed.’
and:
‘The cry [of Marsyas]: ‘Why do you tear me from myself?’ expresses then an agonized ecstasy and could be turned, as it was by Dante, into a prayer addressed to Apollo: ‘Enter my breast, and so infuse me with your spirit as you did Marsyas when you tore him from the cover of his limbs.’ To obtain the ‘beloved laurel’ of Apollo, the poet must pass through the agony of Marsyas…The torture of the mortal by the god who inspires him was a central theme in the revival of ancient mysteries, its illustration in Apollo and Marsyas being only one of many variations’.
Chariot and Hanged Man of Jean Dodal, 17th c
In traditional TdM, the golden-haired Charioteer at first appears to be a solar-heroic, Roman emperor type. But his stance says Dionysus and, indeed, the very word ‘triumph’ comes down to us not from Roman victory processions, but from hymns to Dionysus sung in processions in his honour. So rather, the Charioteer is a conglomerate – albeit, like MacBeth, he is more Apollonian on the outside.
His epaulettes are indicative of his solar-lunar natures, facing opposite ways, while the two horses also want to go off in either direction. There definitely is a sense of hubris about him. The three stems growing underfoot in the black soil, here, foreshadow his reversal from hero to scapegoat; The Hanged Man, strung up between two boughs, not unlike Marsyas, and the dismemberment/decomposition that follows in arcanum 13.
Jacques Vieville 2 of Cups and Hanged Man duality detailsChariot detail showing solar and lunar horses (anonymous, 15th c Milan)
As with the fish and horses, the two tree bases in arcanum 12 are usually different, sometimes even containing sun and moon in them, as in the Vieville example. The figure can be flipped vertically and viewed two ways; hanging or dancing. His golden, solar hair is a clue to what’s going on – ‘the beauty of his inward self’ is slowly being revealed as he undergoes ‘living death’. Two of these oldest TdM examples (Vieville, Dodal) require flipping the card to read the number correctly – printer mistake?
The strange placement of his epaulette-ish hands might represent wings (sprouting or hidden), most apparent in this 17th c Jean Noblet card. Also of note, his reddish hair, a basis of discrimination and choosing sacrificial victims, especially Jews – Noblet himself being Jewish. But looking at it alchemically, ‘red gold’ was ‘pure gold’:
‘The oftener gold is subjected to the action of fire, the more refined in quality it becomes; indeed, fire is one test of its goodness, as, when submitted to intense heat, gold ought to assume a similar colour, and turn red and igneous in appearance; a mode of testing which is known as “obrussa.” [Pliny, “Natural History,” 33.19]’
Noblet Pendu, 17th c – note his elongated ears
The Hanged Man (Le Pendu/Pandu) was once called ‘The Traitor’ and the figure held two money bags, a reference to Judas, aka Didymus, ‘the Twin’ (also a supposed redhead). We know the two cards are related, because 7 is 3 + 4 and 12 is 3 x 4. (3 and 4 began separately as Empress and Emperor).
Alchemical fountain
Summation
Obviously we are complex creatures, made up of many polarities, but the most basic one is that we live consciously, outer or by day (solar) and unconsciously, inner or by night (lunar). This was expressed in Egypt as the two eyes of Horus. Right now, you are reading this and having both an outer and inner experience.
The alchemical equivalent of Marsyas and Apollo is the torture of base metals, such as lead, in order to extract the precious, pure one – namely gold, but also its ‘mate’, silver, and others. Lead is the metal of Saturn, who, strangely enough, ruled the Golden Age and is associated with Pan, satyrs, nature, etc. Apollo is of course the solar gold.
Devil and Sun cards, Nicholas Conver TdM, 18th c
Seeking material gold (symbolized by the physical crown, in MacBeth) is the ‘lower mystery’. But, as the alchemists discovered, this corporeal quest is often how initiation to the ‘higher mystery’ begins. In the end, after all our ‘toil and trouble‘, we might be fortunate enough to attain spiritual gold.
Self-knowledge (gnosis) is not just about understanding one’s own personality (another ‘lesser mystery’), but rather, understanding the entire workings of the universe as being within oneself, and vice versa; ‘As within, so without’. But this must be done in stages and is not something that can merely be understood as some intellectual concept.
I leave you with the last lines from William Blake’s Auguries of Innocence ‘ which, though we love to quote the first verse (‘To see the world in a grain of sand…’), in it’s entirety, puts it all in a nutshell. ~rb
‘Every Night & every Morn Some to Misery are Born Every Morn and every Night Some are Born to sweet delight Some are Born to sweet delight Some are Born to Endless Night We are led to Believe a Lie When we see not Thro the Eye Which was Born in a Night to perish in a Night When the Soul Slept in Beams of Light God Appears & God is Light To those poor Souls who dwell in Night But does a Human Form Display To those who Dwell in Realms of day‘
‘Most Young Kings Get Their Heads Cut Off’ Jean-Michel Basquiat
Do you have a tenth house Sun placement? How about other planets?
How does this express itself for you?
If a person has a goal and is determined to achieve it, a 10th house placement can work well for them…but if they don’t, they may feel they haven’t achieved enough or have, consciously or not, set standards for themselves they can’t possibly live up to. They may imagine a harder landing, should they fail or fall from grace. This is, after all, the house allotted to Capricorn and its Saturn rulership, traditionally the house of the ‘father,’ and in olden times, ‘the king’. [Some see it in reverse, that it’s the house of the ‘mother’ and the 4th (Moon/Cancer) is the father, although I haven’t personally found this to work as well. Let’s call it even and say this is the polarity of the parents, either of which can be dominant in our psyche.]
The cusp of the 10th, the midheaven, is where we find ourselves looking down from the top of the mountain peak at what we’ve experienced up to this point (often at mid-life) and either saying, ‘wow, I’ve been through a lot, learned a lot, made a lot of money or become a better/more mature person as a result’, or, ‘I’ve done all this stuff, had all these different careers that haven’t amounted to anything and life ain’t getting any shorter,’ depending on whether the cup is seen as half full or half empty. Even the term ‘a-mounted to’ is very Capricorn mountain goat language!
Visconti-Sforza Tarot Wheel of Fortune/Rota Fortunae
But the tenth house has another secret. In Tarot, 10 is the Wheel of Fortune, which is based on the zodiac wheel. We see one character going up, another sitting pretty at the midheaven, another going down, and another at the bottom, at all the angles. A metaphor for life’s ups and downs, successes and failures, but also of time cycles and of the houses themselves, which are angular, succedent, or cadent. In the Tarot card above, the figures are saying, “I reign, I reigned, my reign is finished, I shall reign.”
Roue de Fortune, Tarot de Marseille
The angular houses are strongest, cadent (fallen away from the angular placement) are weakest, and succedent (next in line to the angular position) enjoy the hope of success/succession. [This is perhaps easiest to comprehend when using the equal house system, which evenly divides the wheel into 12 pie slices, one for each sign, beginning with one’s rising sign/degree, but personally I don’t use equal house.]
Technically speaking, the house moves into the position of the house that was formerly in that position, not the sign or planets, i.e., transiting Mars will be in Gemini at a certain degree all day, but in a different house every hour. The houses, though paired with particular signs/planets and spoken of as a conglomerate, are actually separate entities.
Angular, succedent and cadent houses
The 11th house of ‘hopes, dreams, wishes, groups’ (allotted to Aquarius/Saturn and Uranus) is where we can perhaps look for help with our 10th house issues. You will notice the succedent houses are all ‘fixed’ sign placements. Thus they have a certain steadfastness, while the angular (cardinal), though strongest in terms of influence, have that built in ‘fear of falling’, just like anyone in a position of power might. Caution: some viziers make better allies than others.
And although cadent (mutable) houses tend to be shoved aside, as if nothing much happens herein, there can be a certain freedom from expectation in these houses that may also be utilized (true, Virgo seems the exception, but will often find freedom in under-the-radar, detailed tasks such as organizing files). The 0 in 10 is, after all, associated with the Fool, who creates his path as he goes along, unattached to outcome. He was the only medieval court member who could openly roast the king, thus reminding the monarch we all fall down, and 10th house achievers that the journey is really what it’s all about, ‘on arrive jamais‘. Sagittarius is allotted to 9th house as jester, highest card in the deck, with none of the responsibilities of a king, yet somehow lucky enough to have Jupiter as its ruler. Hmm. Faith? Caution: Some fools may be a tad nihilistic and reckless.
Charles VI Tarot Fool
Further proof of this ‘power of three’ lies in the fact that every grand trine is composed of an angular, succedent and cadent house of the same element. Being ‘all for one and one for all’, grand trine energy can flow so easily and fast as to not even notice it’s happening.
So if your Sun or other lofty 10th house planets are feeling alone at the top or afraid of falling, look to either side of them, at your 11th (succedent/fixed) house vizier and 9th (cadent/mutable) house fool for a different perspective from planets therein or friends/people with their sun in these signs, who can ‘act as’ planets. Keep in mind that the 10th house planet/sign is still the one ultimately in charge and can make things happen, it just needs support, sometimes – is it being supported or sabotaged? This goes for all the angular houses, but especially the 10th.
Gemini is cadent to Cancer, Aquarius succedent to Capricorn, two angular signs.
Madonna of Mercy with Kneeling Friars, 1424, Fra Angelico
Saturn in Pisces (March 7, in a 7 year) will mean different things to different people. Depending on where our illusions lie and our willingness to wake in or from the dream, Saturn can feel either harsh or liberating. Saturn is actually a liberator, though not often seen in this light. (Hence, its exaltation sign is Libra).
Sometimes it’s as simple as recognizing whether a dream is really worth the time anymore and/or if we’re ready to do the work to make it real. Other times, especially in Pisces, we have to go a bit deeper into our psyche.
One thing about Saturn in Pisces that has been resonating with me lately (and a constant, life challenge with this being my Saturn placement), is how it can give authoritative voice to those self-sabotaging mantras Pisces is so good at creating. Often these do originate with some authority figure, like a parent, school teacher or even early religious teachings. There may be ‘aha’ moments in life where we realize they were a) not true/except to the person who said it b) useful in order to grow by rebelling against them. [Sir Christopher Lee, Saturn on the ascendant, said the more discouragement he got – first from his mother, then people in the biz who said he was too tall, not British-looking enough, etc. – the more determined it made him to succeed in acting, and, that his epitaph should read ‘I showed them!’]
Or perhaps it’s more subtle…a 12th house type garbage dump of collected mantras all jumbled together. In Pisces, that Saturnian discernment and good judgement is important because this sign has much do with creativity and imagination, as well as faith, especially in ourselves. Where have we ‘imprisoned’ ourselves or ‘sentenced’ ourselves to never trying because we aren’t good enough/can’t make money from this/hadn’t a formal education in it/feel we are in a sibling’s shadow/will only make a fool of ourselves…?
Thinking back to my first Saturn return, it was when that book ‘The Artist’s Way‘ came out. I was living in New York, doing bootcamp as an illustrator, and heard the author being interviewed on NPR. She had some good tips on zeroing in on where that debilitating thought was seeded. When you do, the original, flippant comment should now be given the Donald Duck accent it deserves.
Personally I didn’t listen to grade school teachers who came up with gems like, “that’s not how you draw a tree!”, but l was armed with planets, whereas others may not have been. Being told I wrote “like Dickens” by an art school writing class teacher (ie, not avant-garde enough) was maybe slightly more damaging, although, tbh, I quite liked Dickens. For me, it was more the perpetual, continually reiterated belief (of individuals and Canadian society at large) that artists must struggle, art was no way to make a living, that sort of thing. Even later, when I felt free(er) of these straight-jackets, I would simply find new ones, courtesy of the astrologers, psychics and other intuitives I sought advice from and handed over my personal authority to. Pisces is so good at relinquishing power and its responsibility to its own needs!
Conver Tarot de Marseille c 1760
In the TdM Tower card, the force that ruptures the prison tower and releases the two people is not a lightening bolt, but a feathery plume, which some say is actually coming out of rather than directed toward the structure. Note that the Tower/16 is 7 ‘steps’ from the Hermit/9. Seven is the number of wisdom, and this time it’s Grandmother wisdom. We can take heart in the fact that Saturn in Pisces is a lot more understanding and gentle than in Capricorn and Aquarius. This is a mutable sign, so it’s more of a water birth than by forceps or cesarian. It’s safe to come out of hiding, now.
I recommend astrologer Molly McCord’s Youtube videos on Saturn in Pisces 2023. She talks about this and much more, very insightful!
Jupiter is back in Aries, until May 16. This masculine, fiery combo embodies the mythology of the solar hero (Aries) on a mission from God (Jupiter) or the ‘superhero’. The Sun’s exaltation is in Aries and the Sun is also the ‘son’.
John Singer Sargent, Hercules, 1921
Weapon-wielding, demi-god sons who saved humanity by wiping the floor with fabulous creatureswere abundant in the ancient world (or at least abundantly immortalized), as they are, today – but one in particular stands out from all the others, for he wears the solar lion’s skin and performs twelve labours, just as the Sun and Jupiter themselves stay a day and a year, consecutively, in each zodiacal house. Sing along if you are old enough…
“Hercules, hero of song and story! Hercules, winner of ancient glory! Fighting for the right, fighting with his might; With the strength of ten, ordinary men! Hercules, people are safe when near him! Hercules, only the evil fear him! Softness in his eyes, iron in his thighs; Virtue in his heart, fire in every part of The Mighty Hercules!”
I was dismayed to learn that the ‘real’ Hercules never had a magic ring, ripped abs and a quiff, or a centaur sidekick who’s favourite expression was “Suffering Psyche!” But my childhood TV cartoon got one thing right, ‘Herc’ was the modern, macho superhero prototype:
“Heracles – or Hercules as he has been more popularly known ever since the Roman times – was the greatest of all Greek heroes, “one who surpassed all men of whom memory from the beginning of time has brought down an account.” A half-god of superhuman strength and violent passions, Heracles was the epitome of bravery and masculinity in the ancient world and the most notable champion of the Olympian order, which he staunchly protected from various chthonic monsters and earthly villains. Even though his short temper and lack of composure did cause both him and quite a few innocent mortals undeserved trouble, the magnitude of his labors was of such an order that it earned him the prize of immortality… Heracles is undoubtedly one of the most iconic figures in all of Greek mythology.” [source]
Drunk Heracles “urinating” (in fact trying to get it up, for erroneous intent).
In the myth, Goddess Queen/evil stepmother Hera, angry that Zeus had sired him with another, who had the gall to name him ‘glory of Hera’, hated her step son and had marked him since birth. She sent two poisonous snakes (of course) to kill him in his cradle, but he strangled them with his bare, chubby little superbaby hands. Years later, grudge firm as ever, Hera served Heracles a potion to drive him temporarily insane and murder his own family. When the drugs wore off and he realized what he had done, remorseful Heracles sought spiritual advice from Apollo, who divined the gruelling tasks for his atonement. (Note that Apollo was a Sun god, who killed and usurped the Python). “In my defence, I was drunk and drugged!”
Delphic oracle with her tripod, Hellenist bell krater detail (British Museum)
The myth of Herc’s 10 labours was likely extended to 12 – which became the official number – because the day and the solar year were also divided into 12 sections (Roman year had formerly been 10 months, also), each through which the Sun himself was ‘guided’ by a lady of the hora, as he traversed the sky in his chariot. Every man of importance in the ancient world, political or religious, was depicted wearing a halo of the Sun’s rays – essentially what a golden crown is, made with the Sun’s metal. Alexander the Great, who self-identified with various mythic/solar heroes, including Heracles, was frequently depicted as Helios. Our image of the haloed Buddha (‘enlightened one’) also comes courtesy of the imported, Greco-Roman Sun God. Of course it wasn’t only reserved for men, they just tended to have a bit more power and a bit less humility.
[Side note: Though I’m not of the ‘there are really 13 signs!’ camp, it’s interesting that, in order to make things solar and mathematically ‘even’, the 13th constellation touching the ecliptic, associated with the serpent (and 13 being lunar) had to be left out. We now know our Sun is itself serpentine in nature, it ‘sheds’ its skin via coronial mass ejections (CMEs).]
Gilt roundel with Alexander as Helios, 4th c BC
“All the seven planets have opened their gates.” – Goethe
Whilst reading up on Heracles and the horae, I took a rabbit hole into horary astrology. Turns out that on the first day of the first month of 2023, the first hour belongs to the Sun, as does the day (Sunday), meaning the entire year is going to be under solar influence. The Sun card comes up (19 reduces to 1), as does the Chariot, being that it’s a universal 7 year ( 2+0+2+3). The actual picture of the solar demi-god in his vehicle!
The 7th house cusp of the zodiac, opposite to the natal horizon or ascendant, is where the Sun-self begins its descent and marks the beginning of knowing thyself through others (Libra), which is a different kind of awakening.
Vieville Tarot Sun and Charioteer, looking rather Alexander-ish
Unlike Heracles, the Charioteer, previously initiated as a Lover (6, which some do see as ‘Hercules at the crossroads’, choosing between Vice and Virtue), is now tasked with keeping the solar and lunar sides of his own nature in Balance (8).
The fiery energy of Jupiter/Aries is boundless, until Saturn enters Pisces, March 7 and tempers the flame. Saturn specializes in labours and (karmic) atonement, and it’s entering the 12th sign, traditionally ruled by Jupiter. At best, Saturn/Pisces directs Jupiterian inspiration, so as to give form to visions and dreams, testing their weight and our faith, every step of the way. Are we just being given our tasks or is this the final push? Maybe both? (I have Saturn and Jupiter returns coming up this year, will let you know…).
There are 7 cycles of 3 (plus the Fool) in the Major Arcana, so each 4th card is also a new 1. So the Chariot, as the first card of the third triad,is also a1placement. All ‘1‘ placement cards have to do with the theme of change/transition/death/rebirth: 1–Magician, 4-Emperor, 7-Chariot, 10-Wheel, 13-Unnamed, 16-Tower, 19-Sun.
Being the number of traditional planets/planetary spheres, 7has long held sacred significance as a microcosm, by which the weeks and solar years are divided.
Amulets found in Turkish excavation, dated from 7th-4th c BC
Horary astrology is also tied in with magic (using the energy of the planet at the appropriate time and/or creating talismans for positive outcome or amulets for protection). Before Solstice, I made some planet-themed bracelets. I hadn’t checked the planet hours at their creation, but when the Mars one proved conductive, I wondered whether I’d made it during a Mars hour or on a Tuesday. It remains to be seen whether Sun-ruled hours/days this year will have extra potency, but I intend to find out! In astrology, the Sun is generally seen as a bringer of happiness, unless terribly aspected. Similarly, we feel hope when the Sun shines, except during a drought or heat dome.
“Symbols are to the mind what tools are to the hand–
an extended application of its powers.”– Dion Fortune
To me, the Chariot card is emblematic of Tarot itself and of magic; forces within and without in accordance, the meeting of above and below, the completion of the first 7 steps.
Blue Saharan Sphinx wood icon by Roxanna Bikadoroff
Sphinxes, such as those who ‘pull’ the triumphal Chariot in some decks, were guardians of mysteries and the dead. As human-lion anthropomorphs, they are also symbolic of Aquarius/Leo (or, previously, Leo/Aquarius). We might view the pelt-clad Heracles as an initiate, a man not yet integrated with the solar lion in the spiritual sense. (He did actually become an initiate of the mysteries, but only in order to capture Cerberus). He is still an accursed bête, wearing the old skin but not yet the golden crown of the solar lion (the Nemean lion he flayed represents the constellation of Leo).
Of the Aquarius Age, astrologer Alan Oken, in the 1970s wrote,
“In spite of the utopian visions which this writer shared with millions of his peers in the 1960s, the Age of Aquarius will not be dominated by a suddenly transcended, spiritually oriented, love-sharing world population. Mankind has yet to work out the natural animal aggression which is so much a part of his nature…”
He goes on to say that (as we are seeing) the Aquarian Age will be dominated by ideological conflicts and, because of the energies available and potential for evolutionary advancement, self-awareness is a priority for people of the Aquarian Age if we are to properly channel these energies – physical and metaphysical – for the benefit of all.
Heracles, in burning agony, throws himself on the fire
In the end, after a kind of alchemical trial by pyre, brought about by a toxic balm his second wife inadvertently procured from a centaur (Sagittarius, the centaur sign ruled by Jupiter, is the transforming fire of the zodiacal triplicity), Hera and Zeus both agreed he’d suffered enough, and Herc was placed in the sky, as the constellation formerly identified with Gilgamesh. “Victory is here, raise a mighty cheer!”
Final thoughts…
As we ‘permanently’ enter the rational, masculine, high-tech age of the Titans (fixed air Aquarius, that is), with Pluto making its first ingress into this sign March 23, it’s important to keep sight of our higher Aquarius/Leo nature. The Sun is just one star in the heavens, but it represents the creative here and now, the full potential and expression (Leo) of our present lifetime. Meanwhile, Aquarius, sign of the starry heavens (hence astrology/astronomy), can open our minds to the distant past and future. Imagination is our personal conjuring tool. Through our art, wonder and creativity we are connected to the cosmos and the gods of our higher consciousness. In sync with these, there is no need for domination or force.
Well, we finally got a clear evening, so I stood glued to the southwest horizon with opera glasses and pocket camera at the ready. Suddenly there they were…the two interpersonal planet Gods empowered in partnership. My photos are nothing fancy, but am so grateful I got to see this once in a lifetime event! Got me choked up, have to say.
Vintage Krampus postcards for the devil in every sign!
Saint Nicholas and Krampus…kind of has a Jupiter Saturn conjunction feel, doesn’t it? Chain-wielding, pagan devil Krampus, punishing the naughty, while ‘Santa’ dishes out rewards for faith and good karma.
Aries Krampus
Taurus Krampus
Gemini Krampus
Cancer Krampus
Leo Krampus
Virgo Krampus
Libra Krampus
Scorpio Krampus
Sagittarius Krampus
Capricorn Krampus
Aquarius Krampus
Pisces Krampus
Happy Grand Conjunction Solstice, Merry Christmas to all !!
