Mercury’s Magic Knobs

Mercury, attr. to Urs Graf, Swiss, 1551

I had often wondered about these strange little knobs on Mercury’s pouch. That there were usually three of them (or three on the sides and one on the bottom) was no mystery, given Mercury’s magic, threefold ways. But what were they, exactly? What was their purpose, if any? Many theories were given when I posed the question. Pockets? Folds created from tying a  square piece of cloth? Little legs to ‘stand’ the open pouch up with? Was it perhaps made of a bird’s skin or cow’s udder and the hanging bits tied up? Might they be buttons and/or have had some protective function?

Details of three woodcuts 15th-17th c and one Roman sculpture

Examples of similar bags were found, but of course nothing old enough still existed for comparison. I should back up a minute here and explain what got me looking at his sack in the first place, which was the Fool’s bindle in Tarot de Marseille. Notice how it is divided into three sections, possibly signifying the three, alchemical  substances (sulphur/mercury/salt) or stages (black/white/red), and setting the general theme of triplicity that runs through the major arcana. [Note also the mandorla-shaped mouth of the sack-vessel.]

The TdM Fool’s threefold bindle (detail, various decks)
Drawstring leather pouch and goatskin purse with knobs, France, 16th c

So it seemed that what was originally a natural characteristic (say, knotted udder nipples) gradually became decorative knobs in much later woodcuts, that served no function other than to add a lucky triplicity to Mercury’s accoutrement.

But you know how it is,  a planet turns retrograde and answers to riddles (Mercury), an old love (Venus) or cold case murder evidence (Pluto) can suddenly just pop up.

I was looking for something else (naturally), when I came upon this image, not in my Mercury folder.  It is of a tintinnabulum from Pompeii, ca 1st c AD.  These were little wind-chimes with protective phalli, to keep the bad spirits away (bells would have hung from the ends). The erect phallus was considered a potent apotropiac, and specific to Hermes-Mercury, god of travellers and magicians. They were featured regularly on herms (or just by themselves), situated at crossroads. I dunno, do you think we should add more penises? Maybe a few little ones on the bag, just in case.

tintinnabulum of polyphallic Mercury from Pompeii
Roman tintinnabulum, ca 1st C AD, Naples Museum

Mercury's magic pouch has phallic knobs for keeping evil away
[detail]
Now I know what you are thinking – are you sure? Might there be other examples? And of course, I wondered the same. So I took a close look at another, familiar artwork from Pompeii…

Priapus with attributes of Hermes-Mercury, Pompeii fresco, Naples Museum

[detail]
I’m afraid there is just no mistaking it. Those impotent little knobs on the magic bag of Mercury are the descendants of once preeminent penises. As for what might be inside said bag…that will have to wait for another blogpost. ~rb

Addendum: After posting this article, suddenly people are chiming In and saying “noooo, wroooong! they are testicles!” Where were they when I first put forth the question? Eh? Eh? Little Red Hen asks. (I jest). Well, of course, once Europe became Christianized, you couldn’t very well put shlongs on everything. So the obvious solution  would be to use testicles. It is still part of the magical triad of phallic anatomy, just easier to disguise as knobs or figs or what have you. After all, we are talking about a time frame from Rome BC to the Renaissance, so there is going to be an evolutionary process. Excuse me for  trying to get right to the ‘point,’  but my mission was to locate the possible ‘source’. Btw, the Mercurial tradition of touching one’s nutsack for protection (from you-know-who) is still alive and well.

…don’t forget to pick up your lucky bawdy badge on the way out!

bawdy pilgrim badge from the crusades
Crusader ‘bawdy badge’ for protection from STDs in the Holy Land.

 

 

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Mercury – I Come in Three!

Mercury

We are in Mercury retrograde at the moment, so what better time for a blogpost about everybody’s favourite psychopomp and magic number?

Early on, Hermes’ sacred number was 4, being god of the crossroads, which was where his  herma were placed.  These were originally piles of stones, to indicate the border of someone’s tribal land. Gradually they became erect stones,  often with a cross shape (probably for hanging garlands), and a head and apotropaic phallus was added. No matter who travelled there, friend or foe, offerings were made to ensure safe passage of the foreign turf. Perhaps it is related to the practice of marking graves with stones, too, since the dead were buried outside the boundary, for safety reasons. “And stay out!”
Herma for other gods existed, but the name of course relates to Hermes himself. Bust sculptures are probably a continuation of this tradition.

Herma 520 BC

But when we are speaking of Hermes-Mercury as a planetary/astrological  god, 3 is the number by which he operates. Think of retrogradation – common to all planets, but ultimately under his jurisdiction. It’s a triple, illusory move (forward-backward-forward) and, in Mercury’s case, occurs 3 times per year, for about 3 weeks, 3 times in the same element. Even in the most astrologically uninformed circles and media, the ‘Mercury Retrograde’ is reknown, if for all the wrong reasons.

How most people view Mercury retrogrades

Since Mercury can never be more than 28 degrees from the Sun, there are but three Mercury placements a Sun sign can have; in the preceding sign, in the same sign, or in one the proceeding it. For example, Taurus can only have Mercury in Aries, Taurus or Gemini. The Mercury placement will inform the Sun native’s expression and how they process information. Is it possible Mercury in these 3, consecutive signs might have a resonance with the phases of retrogradation? Might Mercury preside over midpoints, as well (particularly, one would assume, the Sun-Moon midpoint)? Questions to ponder during retrograde.

When it comes to uniting solar and lunar opposite natures, the realms of living and dead, awakeness and dreaming, the above and below, the within and without, Mercury is the cosmic connector. We see this in traditional Tarot de Marseille, a ‘Hermetic’ Tarot wherein duality and the balance of opposites is a running theme, as is triplicity and quadruplicity.
In alchemy there are three forms of Mercury; vulgar, volatile and philosophical.

Doubles in Noblet Tarot Pape, Pendu, Soleil ca 1650

Mercury’s sigil also has three parts: the cross of matter (or crossroads) surmounted by a solar circle and lunar crescent. And of course, he rules  Gemini, sign of the Twins. Perhaps the Virgo rulership might be better understood if we remember the dual nature of the Goddess – those two serpents originally belonged to her, after all. Where Gemini is happy to  be two people, Virgo works tirelessly to create wholeness. She is very much like the angel of Temperance, is she not? This card from the Vieville deck could be Virgo with the Mercurial caduceus.

Vieville Temperance card, mid 17th c

Might we also  find a connection between the 6th house (Virgo’s traditional lodgings) and TdM 6th arcanum, wherein a young man stands between two women? It’s interpreted as having to decide between vice and virtue, like Hercules at the crossroads, but I think ‘crossroads’ might be the key word here. That 7th house cusp is the dividing line, after all. Some other blogpost!

Osiris attended by sisters Nephthys (death) and Isis (life), Conver TdM Lover, 18th c

 

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